Making Something Happen: American Political Poetry between the World Wars (Cultural Studies of the United States)

Poetry makes nothing happen, wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s-the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate. Machine generated contents note: Acknowledgments, vii Introduction: Making Something Happen, I i Tradition and the Political Poet: Edwin Rolfe, 42 2 All Together, Black and White: Langston Hughes, 86 3 Getting the Goofs to Listen: Ezra Pound, I35 4 Extending the Document: Muriel Rukeyser, 169 Conclusion: The Age Demanded, 211 Notes, 223 Works Cited, 249 Index, 265. This text looks back to the 1920's and 1930's to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. It offers a different look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound and Muriel Rukeyser