Making Black History: Diasporic Fiction in the Moment of Afropolitanism (Issn)

Open Access This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, __Making Black History__ looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here:

This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism.
Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here:
https://blog.degruyter.com/de-gruyters-10th-open-access-book-anniversary-dominique-haensell-and-her-winning-title-making-black-history/

9783110722093 9783110722093 Contents Acknowledgments Chapter I Introduction – Writing Race in the Moment of Afropolitanism Chapter II Going Through The Motions – Movement, Metahistory, and the Spectacle of Suffering in Teju Cole’s Open City Chapter III (Post‐)Independent Women – Romance, Return, and Pan-African Feminism in Chimamanda Ngozi Adichie’s Americanah Chapter IV A Painful Notion of Time – Conveying Black Temporality in Yaa Gyasi’s Homegoing Chapter V Conclusion – The Past Is Always Tense, the Future Perfect Bibliography Index This study proposes that Afropolitanism may be best approached as a distinct cultural moment or historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa – as signifier, as real and imagined locus – embodies in the globalized cultural landscape of the 21st century. As such, Making Black History looks at contemporary diasporic fictions that have been written and received in the moment of Afropolitanism.