Maigret and the Good People of Montparnasse (Inspector Maigret, #58)

When he is tasked with solving a seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truthA retired manufacturer is found murdered with his own pistol in his favorite armchair, shattering the tranquility of a quiet Paris community. The neighbors describe the Josselin household as a bastion of bourgeois compatibility, and Inspector Maigret is stymied by the absence of motive and by the reticence of the bereaved wife. It is not until a chance witness recalls an odd encounter between the deceased and a man in a bistro that the veil of propriety protecting the killer begins to dissolve.Maigret suspects that he’s not being given all the facts in this case as he is drawn deeper into the complex web of family dramas and lies at the heart of it. In Maigret and the Good People of Montparnasse, he must rely on his famous intuition above all to uncover the shocking truth. 'His artistry is supreme' John Banville 'Why all of a sudden did this shock him? He was annoyed with himself for being shocked. He felt as if he had been sucked into the bourgeois, almost edifying, atmosphere that surrounded those epeople, 'good people' so everyone kept telling him.' A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. This novel has been published in a previous translation as Maigret and the Black Sheep. 'One of the greatest writers of the twentieth century ' Guardian A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret and the Black Sheep. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian