Lyrical And Ethical Subjects: Essays on the Periphery of the World, Freedom, And History (S U N Y Series in Contemporary Continental Philosophy)

Dennis J. Schmidt develops a hermeneutic theory of language that forms the starting point for thinking through the concerns of ethical life. Working from texts by Homer, Plato, Kant, Nietzsche, Heidegger, and Gadamer, this volume explores some of the ways in which we experience the fringes of language, and highlights the relation of both freedom and history to such experience. The book is also guided by the conviction that such reflections upon the limits of language can open up something decisive for the effort to address the enigmas and challenges of judgment in the realm of ethical life. Taking seriously Kant’s claim in the Third Critique that aesthetic experience opens up a basis for judging that is other than that found in the language of the concept, Schmidt pursues this claim by addressing the relation of language to poetry, to music, to silence, to script, to sign language, and to painting—those experiences of language which set themselves apart from the concept. Out of the treatment of these experiences of language at its limits, the author argues that we find an opening upon the realm of ethical life that is truly beyond the calculus of good and evil. What results is an experience of radical freedom, an experience that precedes anything like a notion of freedom finding its explanation in the agency of a subject. It is here that we find the contours of what Heidegger once described as "original ethics," and experience something of the sources of ethical life. Dennis J. Schmidt Develops A Hermeneutic Theory Of Language That Forms The Starting Point For Thinking Through The Concerns Of Ethical Life. Working From Texts By Homer, Plato, Kant, Nietzsche, Heidegger, And Gadamer, This Volume Explores Some Of The Ways In Which We Experience The Fringes Of Language, And Highlights The Relation Of Both Freedom And History To Such Experience. The Book Is Also Guided By The Conviction That Such Reflections Upon The Limits Of Language Can Open Up Something Decisive For The Effort To Address The Enigmas And Challenges Of Judgment In The Realm Of Ethical Life.--jacket. 1. Lyrical And Ethical Subjects : Straining Communicability -- 2. Wozu Hermeneutik? : On Poetry And The Political -- 3. Between The Lines : On Language, Translation, And Tradition -- 4. On Blank Pages, Storms, And Other Images Of History : Speaking And Imagining History -- 5. Time Made Loud : On Language And Music -- 6. What We Cannot Say : On Language And Freedom -- 7. Two Mouthfuls Of Silence : On Language And Pain -- 8. On The Dark Side Of The Moon : On Language And Deafness -- 9. Speaking Of Nature : On Language And The Unbidden World -- 10. Words On Paper : On Language And Script -- 11. Like A Fire That Consumes All Before It : On Language And Image. Dennis J. Schmidt. Includes Bibliographical References (p. 193-209) And Index. Contents ......Page 6 Acknowledgments ......Page 8 Introduction......Page 10 1 - Lyrical and ethical subjects : straining communicability......Page 16 2 - Wozu Hermeneutik? : on poetry and the political......Page 28 3 - Between the lines : on language, translation, and tradition......Page 42 4 - On blank pages, storms, and other images of history : speaking and imagining history......Page 56 5 - Time made loud : on language and music ......Page 70 6 - What we cannot say : on language and freedom......Page 86 7 - "Two mouthfuls of silence" : on language and pain......Page 100 8 - On the dark side of the moon : on language and deafness......Page 112 9 - Speaking of nature : on language and the unbidden world......Page 126 10 - Words on paper : on language and script......Page 140 11 - "Like a fire that consumes all before it" : on language and image......Page 150 12 - Language in the age of modern technicity : speaking of freedom and community once again......Page 172 Appendix: Monologue by Novalis......Page 200 Notes......Page 202 Index......Page 220 The great discovery of the third critique is both stunning and yet intuitively compelling: that the form of reflection proper to the domain of aesthetic experience circumscribes a region that opens up onto an a priori.