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Luis Buñuel: The Red Years, 1929–1939 (Wisconsin Film Studies)

معرفی کتاب «Luis Buñuel: The Red Years, 1929–1939 (Wisconsin Film Studies)» نوشتهٔ Buñuel, Luis; Gubern, Román; Hammond, Paul، منتشرشده توسط نشر The University of Wisconsin Press در سال 2012. این کتاب در 4 صفحه، فرمت epub، زبان انگلیسی ارائه شده است.

The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information. "The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Bunuel (1900-1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936-39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Bunuel: The Red Years 1929-1939 investigates Bunuel's commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmofono in Madrid, where he was responsible in 1935-36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Bunuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director's life is scant and relies on Bunuel's own self-interested accounts of that complex period. Roman Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Bunuel's accounts and those of historians and film writers to achieve a portrait of Bunuel's Red Years that abounds in new information"--Publisher's description The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. __Luis Buñuel: The Red Years, 1929–1939__ investigates Buñuel’s commitment to making the politicized documentary __Land without Bread__ (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.
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