Lucifer in Harness: American Meter, Metaphor, and Diction (Princeton Legacy Library, 1780)

For nearly two hundred years the rebellious American poet has been reluctantly harnessed to the English language and literary tradition. In a triptych of essays, Edwin Fussell attempts "to explore the fundamental dilemma of American poetry as it appears in the three crucial fields of meter, metaphor, and poetic diction, the three crucial fields of American poetry (taken as a whole) most studiously avoided by American scholars, but not, as I intend to show, by American poets." Writing in a provocative critical style attuned to the poets he discusses, Edwin Fussell explores the dilemma of the American poet who wants to write a distinctly "American" poetry but must do so in a language imbued with the sensibility of English poetry and culture. Because these are different from and sometimes antithetical to American cultural ideals and commitments, the harness chafes. The emphasis is on those poets who have successfully created a truly American poetry--Poe, Whitman, Pound, Eliot, and Williams--but the author also discusses Hart Crane, Wallace Stevens, Emerson, Bryant, Lowell, and Frost, among others. Originally published in 1973. The **Princeton Legacy Library** uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. For nearly two hundred years the rebellious American poet has been reluctantly harnessed to the English language and literary tradition. In a triptych of essays, Edwin Fussell attempts "to explore the fundamental dilemma of American poetry as it appears in the three crucial fields of meter, metaphor, and poetic diction, the three crucial fields of American poetry (taken as a whole) most studiously avoided by American scholars, but not, as I intend to show, by American poets." Writing in a provocative critical style attuned to the poets he discusses, Edwin Fussell explores the dilemma of the American poet who wants to write a distinctly "American" poetry but must do so in a language imbued with the sensibility of English poetry and culture. Because these are different from and sometimes antithetical to American cultural ideals and commitments, the harness chafes. The emphasis is on those poets who have successfully created a truly American poetryPoe, Whitman, Pound, Eliot, and Williamsbut the author also discusses Hart Crane, Wallace Stevens, Emerson, Bryant, Lowell, and Frost, among others. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Content: Ch. 1. The meter-making argument -- Dissonance and dialectic -- The radical tradition in American poetry -- The age of growing discomfort and inadequate remedy -- Emerson and the meter-making argument -- Radical explosions and conservative reassertions -- The United States as a poem -- Ch. 2. The constituting metaphor -- Whitman and metaphorical form -- Poe and the analogue of the short story -- In which power transacts itself -- The four years' war as pivot -- The waste land and The cantos -- The genesis of Hart Crane's The bridge -- William Carlos Williams and open-ended metaphor -- Ch. 3 What the thunder said -- Voices and the primitive terror -- The early American poets and poetic diction -- The birth and death in Whitman -- From imagism to The waste land -- Linguistics lapses in Crane and Stevens -- William Carolos Williams, M.D. -- Poe against the thin edge.