Little Anodynes: Poems (Palmetto Poetry Series)

WINNER OF THE 2016 LIBRARY OF VIRGINIA LITERARY AWARD FOR POETRY The third collection by the prize-winning Asian American poet Jon Pineda, Little Anodynes is a sequence of lyrical, personal narratives that continue Pineda's exploration of his biracial identity, the haunting loss of his sister, and the joys--and fears--of fatherhood. With its title inspired by Emily Dickinson, Little Anodynes offers its poems as "respites," as breaks in the reader's life that serve as opportunities for discovery and healing. Pineda deftly uses shortened lines and natural pauses to create momentum, which allows the poems to play out in a manner evocative of fine cinema, as if someone had left a projector running and these narratives were flickering and blending endlessly in an experience shared by the viewer, the storyteller, and the story itself.

The third collection by the prize-winning Asian American poet Jon Pineda, Little Anodynes is a sequence of lyrical, personal narratives that continue Pineda's exploration of his biracial identity, the haunting loss of his sister, and the joys—and fears—of fatherhood. With its title inspired by Emily Dickinson, Little Anodynes offers its poems as "respites," as breaks in the reader's life that serve as opportunities for discovery and healing. Pineda deftly uses shortened lines and natural pauses to create momentum, which allows the poems to play out in a manner evocative of fine cinema, as if someone had left a projector running and these narratives were flickering and blending endlessly in an experience shared by the viewer, the storyteller, and the story itself.

The third collection by the prize-winning Asian American poet Jon Pineda, Little Anodynes is a sequence of lyrical, personal narratives that continue Pineda's exploration of his biracial identity, the haunting loss of his sister, and the joys -- and fears -- of fatherhood. With a title inspired by Emily Dickinson, Little Anodynes offers poems as "respites," as breaks in the reader's life that serve as opportunities for discovery and healing. Pineda deftly uses shortened lines and natural pauses to create momentum, which allows the poems to play out in a manner evocative of fine cinema, as if someone had left a projector running and these narratives were flickering and blending endlessly in an experience shared by the viewer, the storyteller and the story itself Cover Title Copyright Contents Foreword One First Concert Prayer Notes for a Memoir Strawberries Ceiling & Ground Collectors Silence Two The Ocean Sealed Letter There Is an Edge to Each Image Distance Ellipses My Place Three We Left the Camera Ritual Edenton The Story It Is Simple Spectators Kundiman Trailer Umpteenth Arrival Four Little Anodynes Acknowledgments