Literature and Law in the Era of Magna Carta (Oxford Studies in Medieval Literature and Culture)

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. l Literature and Law in the Era of Magna Carta traces processes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with the life of Archbishop Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. In this book, Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova , finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Château d'Amour , is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism. The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue -- in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science -- but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. Literature and Law in the Era of Magna Carta traces processes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with the life of Archbishop Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. In this book, Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova , finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Chateau d'Amour , is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism. Oxford Studies In Medieval Literature And Culture Showcases The Plurilingual And Multicultural Quality Of Medieval Literature And Promotes Work That Not Only Focuses On The Whole Array Of Subjects Medievalists Now Pursue—in Literature, Theology, Philosophy, Social, Political, Jurisprudential, And Intellectual History, The History Of Art, And The History Of Science—but Also Work That Combines These Subjects Productively. It Offers Innovative And Interdisciplinary Studies Of Every Kind, Including But Not Limited To Manuscript And Book History, Linguistics And Literature, Post-colonial And Global Studies, The Digital Humanities And Media Studies, Performance Studies, The History Of Affect And The Emotion, The Theory And History Of Sexuality, Ecocriticism And Environmental Studies, Theories Of The Lyric, Of Aesthetics, Of The Practices Of Devotion, And Ideas Of Medievalism. Literature And Law In The Era Of Magna Carta Traces Processes Of Literary Training And Experimentation Across The Early History Of The English Common Law, From Its Beginnings In The Reign Of Henry Ii To Its Tumultuous Consolidations Under The Reigns Of John And Henry Iii. The Period From The Mid-twelfth Through The Thirteenth Centuries Witnessed An Outpouring Of Innovative Legal Writing In England, From Magna Carta To The Scores Of Statute Books That Preserved Its Provisions. An Era Of Civil War And Imperial Fracture, It Also Proved A Time Of Intensive Self-definition, As Communities Both Lay And Ecclesiastic Used Law To Articulate Collective Identities. Literature And Law In The Era Of Magna Carta Uncovers The Role That Grammatical And Rhetorical Training Played In Shaping These Arguments For Legal Self-definition. Beginning With The Life Of Archbishop Thomas Becket, The Book Interweaves The Histories Of Literary Pedagogy And English Law, Showing How Foundational Lessons In Poetics Helped Generate Both A Language And Theory Of Corporate Autonomy. In This Book, Geoffrey Of Vinsauf's Phenomenally Popular Latin Compositional Handbook, The Poetria Nova, Finds Its Place Against The Diplomatic Backdrop Of The English Interdict, While Robert Grosseteste's Anglo-french Devotional Poem, The Château D'amour, Is Situated Within The Landscape Of Property Law And Jewish-christian Interactions. Exploring A Shared Vocabulary Across Legal And Grammatical Fields, This Book Argues That Poetic Habits Of Thought Proved Central To Constructing The Narratives That Medieval Law Tells About Itself And That Later Scholars Tell About The Origins Of English Constitutionalism. Cover Literature and Law in the Era of Magna Carta Copyright Dedication Table of Contents Acknowledgments A Note on Translations Introduction: The Poetics of Jurisdiction Law as Instrument, Law as Ligature Periodizing Law and Poetry Jurisdictional Form Chapter Organization 1: The Grammar of Sacrifice: Thomas Becket, Learning, and Libertas Non attavis editus regibus: Becket and the Genealogies of Learning Satire and the Precincts of Learning Ordo and Office in the Entheticus de dogmate philosophorum From Security to Honor, Horace to Lucan Conclusion 2: Classroom Historicisms: Interdict and the Poetria nova Historical Poetry and the Jurisdictions of Grammar and Rhetoric The Poetria nova and the Arts of Occasion Interdict and the Poetria nova Requesting and Exhorting: Epistolary Persuasion and Embodied Policy Quasi quaedam praestigiatrix: Conjuring History through Poetry 3: Inventing Magna Carta Beyond the Whig Interpretation: Magna Carta and Historical Method Relics of the Law Mythographic History and Civic Autonomy in the Leges Anglorum Londoniis Collectae Theorizing Jurisdictional Power in the Interpolated Leges Edwardi Confessoris Remembering Normandy with Geoffrey of Vinsauf The Jurisdictional Poetics of Magna Carta 4: Jurisdictional Formalism: Robert Grosseteste and the Pastoral Model of Governance Oversight, Exemption, and the Pastoral Charge Watchman in the Lord’s Vineyard: Surveillance, Theophany, and the Fictions of Jurisdiction Ruling in the Interim: Simon de Montfort, Margaret de Quincy, and the Jews of Leicester The Château d’Amour: Property, Law, and Salvation History Conclusion: Jurisdictional Harmonies and Dissonances 5: Conjuring England: Crusade, Violence, and Communitas The Grammar of Crusade The Jurisdictions of Crusade Verse Civil War as Holy War, 1263–4 Property, Violence, and the “The Song of the Barons” Austerity Measures: The Song of Lewes and the Form of Law Coda: The Jurisdictions of Form Bibliography Abbreviations Primary Sources Manuscripts Printed Sources Secondary Sources Index Literature and Law in the Era of Magna Carta traces processes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with the life of Archbishop Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. In this book, Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova, finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Chateau d'Amour, is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself0and that later scholars tell about the origins of English constitutionalism "Literature and Law in the Era of Magna Carta traces the fortunes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova, finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Château d'Amour, is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism"-- Provided by publisher