گوش دادن، نواختن، خلق کردن: مقالاتی درباره قدرت صدا

This interdisciplinary work is a tapestry of thought generated by music therapists, scholars, and performers in related fields such as anthropology, philosophy, music compositior/performance, psychology, and musicology. It is woven together by the editor through a description of the process of interdisciplinary engagement, a personal description of her relationship with each author, and a final statement on the power of sound. The book is organized around the themes of listening, playing, and creating — essential processes in the work of music as therapy. Carolyn Kenny practivces, teaches, and conducts research in Music Therapy in Vancouver, British Columbia, Canada. She is a certified music therapist with the American Association for Music Therapy and an accredited music therapist with the Canadian Association for Music Therapy. Listening, Playing, Creating: Essays on the Power of Sound Contents List of Figures Acknowledgments I. THE BEGINNING Introduction to Part One II. LISTENING 1. The Silent Source (John Marcus) 2. The Unbidden Song (Frances Smith Goldberg) 3. Entering the World of Tones (David Marcus) 4. The Power of Sound and Music in Therapy and Healing (Barbara Hesser) 5. On Sound, Music, Listening, and Music Therapy (Dorit Amir) 6. Unsound Medicine (Lisa Summer) 7. The Power of Silence in Music Therapy (Gillian Stephens Langdon) 8. Listening: A Sacred Act (Nancy McMaster) III. PLAYING 9. Floors of Music (Joanne Crandall) 10. The Almost Unappreciated, Nearly Ignored Power of Sound—and Its Abuse (Christopher Tree) 11. Sound Wave Mirror (Michael Fles) 12. Improvisation as a Liminal Experience: Jazz and Music Therapy as Modern “Rites de Passage” (Even Ruud) 13. Sound and Meaning (David Burrows) 14. Close Encounters of the Musical Kind (Paul Lauzon) 15. The Sound Image: Music Therapy in the Treatment of the Abused Child (Connie Isenberg-Grzeda) 16. Singing Practices and States of Consciousness (Penelope Nichols-Rothe) IV. CREATING 17. Meetings with the Unsounded Voice (Peter O'Loughlin) 18. Modes of Consciousness in Guided Imagery and Music (GIM): A Therapist’s Experience of the Guiding Process (Kenneth E. Bruscia) 19. Death and Rebirth Experiences in Music and Music Therapy (Benedikte Scheiby) 20. Candomble: Afro-Brazilian Ritual as Therapy (Joseph J. Moreno) 21. An Aesthetic Foundation of Clinical Theory: An Underlying Basis of Creative Music Therapy (Kenneth Aigen) 22 . My Funeral Music (Jeremy J. Shapiro) 23. The Listener: Dreaming the Soundscape with Howard Broomfield (Robin Ridington and Jillian Ridington) 24. The PowWow (Carolyn Bereznak Kenny) V. LISTENING, PLAYING, CREATING: THE POWER OF SOUND Introduction to Part Five List of Contributors Index "This interdisciplinary work is a tapestry of thought generated by music therapists, scholars, and performers in related fields such as anthropology, philosophy, music composition/performance, psychology, and musicology. It is woven together by the editor through a description of the process of interdisciplinary engagement, a personal description of her relationship with each author and a final statement on the power of sound. The book is organized around the themes of listening, playing, and creating - essential processes in the work of music as therapy."--Jacket