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The most celebrated story collection from “one of the true American masters” (The New York Review of Books) - a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s."Raymond Carver's America is... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." - Michael Wood, The New York Times Book Review { May 2021 - Verified ebook for complete book description, cover, table of contents, separation of book (front/ back matter, parts, and chapters), and epub format error checking. } Paperback, 159 pages Published 1981 Vintage Contemporaries (2015) Book Riot 100 Modern Classics (1950-1997) McCaffery 100 Greatest Fiction In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women. Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark. Featured in the Academy Award-winning (Best Picture) film Birdman starring Michael Keaton A Vintage Shorts "Short Story Month" Selection From one of the most celebrated short-story writers in American literature, the story that launched a thousand homages, in word and film'a haunting meditation on love and companionship, and finding one's way through the dark. "What We Talk About When We Talk About Love" is included here with its unedited version, "Beginners," which was originally submitted to Carver's editor, Gordon Lish. In this eShort, readers can compare both versions of this iconic work of fiction, gaining insight into Carver's aesthetic and the foundations of the contemporary American short story

In his second collection of stories, as in his first, Carver's characters are peripheral people—people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.

"Carver's America is helpless, clouded by pain and the loss of dreams...It is a place of survivors and a place of stories..."--NYT Book Review

Why don't you dance -- Viewfinder -- Mr. Coffee and Mr. Fixit -- Gazebo -- I could see the smallest things -- Sacks -- The bath -- Tell the women we're going -- After the denim -- So much water so close to home -- The third thing that killed my father off -- A serious talk -- The calm -- Popular mechanics -- Everything stuck to him -- What we talk about when we talk about love -- One more thing. Alternate-cover edition can be found (https://www.goodreads.com/book/show/32451779-what-we-talk-about-when-we-talk-about-love) here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literaturea haunting meditation on love, loss, and companionship, and finding ones way through the dark. In his second collection, including the iconic and much-referenced title story featured in the Academy Award-winning film Birdman, Carver establishes his reputation as one of the most celebrated short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark. Stories feature men and women without education, insight, or prospects, who, ironically, are too unimaginative to ever give up The unedited version of 'What we talk about when we talk about Love" before it would be cut by Carver's editor and mentor.