Late Gothic Painting in the Crown of Aragon and the Hispanic Kingdoms (Art and Material Culture in Medieval and Renaissance Europe, 11)

This book analyzes the genesis and evolution of the late Gothic painting in the Crown of Aragon and the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. This Book Aims To Analyze The Genesis And Evolution Of Late Gothic Painting In The Crown Of Aragon And The Rest Of The Hispanic Kingdoms, Examining This Phenomenon In Relation To The Whole Context Of Europe In The Second Half Of The Fifteenth Century. The Authors Consider The Influence Of The Flemish Primitive Movement On The Art Produced By Their Spanish Colleagues, The Artistic Relations And Interchanges With The Netherlands And Other Countries, And The Introduction And Development Of The Flemish Language In The Spanish Kingdoms. The Book Also Examines Altarpieces, Considering Topics Such As Changes In Shape And Structure And Liturgical Links, Along With Offering Stylistic Analyses Supported By New Technologies. L'obra De Flandes Dans Les Territoires De La Couronne D'aragon. Marché Et Importations Artistiques Entre 1450 Et 1500 / Francesca Espanol -- Some Questions About The Flemish Business In The Crown Of Aragon / Judith Berg Sobré -- Late Gothic Painting In Majorca / Tina Sabater -- Valencia And Late Gothic Painting / Ximo Company -- Les Primitifs Flamands Et Leur Réception Dans La Peinture Castillane De La Fin Du Moyen Âge / Didier Martens -- On Hispano-flemish Painting In The Kingdom Of Castile / Pilar Silva Maroto -- Bermejo In Daroca / Fernando Marías -- St. John The Baptist : A Work By The Juan De La Abadía Workshop At The Museu Nacional D'art De Catalunya (barcelona) / Monserrat Jardí -- The Sales Of Art Works From The Monastery Of Sijena (huesca) During The Twentieth Century : Late Gothic Painting / Carmen Berlabé -- Late-gothic Mural Painting At The Beginning Of The Renaissance In The Aran Valley : Unha And Arties / Albert Sierra -- Identifying The Hand Involved In A Man Of Sorrows Produced In The Workshop Of The Artés Master / Nicola Jennings And Isidro Puig -- Valencian Late-gothic Painting Documents : Contributions Of The Centre D'investigació Medieval I Moderna (cimm, Polytechnic University Of Valencia And University Of Lleida) / Ximo Company, Joan Aliaga, Lluïsa, Isidro Puig, Núria Ramón, Stefania Rusconi And María Antonia Argelich -- Liturgy As Visual Argument : Monastic Churches And Choir Screens In Donor Imagery By The Master Of Sopetrán (museo Nacional Del Prado) / Eduardo Carrero -- A Resurrection By The Master Of Portillo : Underlying Drawings / Isidro Puig And Marc Ballesté -- Late Gothic Mural Paintings In The Monastery Of San Isidoro Del Campo, Seville / Pedro José Respaldiza. Edited By Alberto Velasco, Francesc Fité. Includes Bibliographical References (pages 567-632) And Index. In English And French. This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies.Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†). This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies. Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†) Este libro pretende analizar la génesis y evolución de la pintura del gótico tardío en la Corona de Aragón y en el resto de los reinos hispánicos, examinando este fenómeno en relación con todo el contexto de la Europa de la segunda mitad del siglo XV. Los autores consideran la influencia del movimiento primitivo flamenco en el arte producido por sus colegas españoles, las relaciones e intercambios artísticos con los Países Bajos y otros países, y la introducción y desarrollo de la lengua flamenca en los reinos españoles. El libro también examina los retablos, considerando temas como los cambios de forma y estructura y los vínculos litúrgicos, además de ofrecer análisis estilísticos apoyados por las nuevas tecnologías