L.A. Noir: The Lloyd Hopkins Trilogy (Blood on the Moon, Because the Night, Suicide Hill)

In the introduction to L.A. Noir, a collection of three contemporary cop thrillers originally published in the early '80s, James Ellroy confesses his desire to match the suspense and terror of Thomas Harris's groundbreaking novel Red Dragon and to create a detective as compelling and as complex as Harris's Will Graham. His attempts to fulfill that desire introduce readers to Detective Sergeant Lloyd Hopkins, a brilliantly flawed hero of sorts whom Ellroy describes as his "antidote to the sensitive candy-assed philosophizing private eye." Written before Hannibal Lecter made his first appearance in print, before serial killer fiction had become a subgenre, Blood on the Moon, the first novel of the L.A. Noir trilogy, pits the racist, reactionary, sexually obsessed Hopkins against a sexually motivated serial killer whose intelligence and capacity for brutality match the detective's own. In Because the Night, the second book in the trilogy, Hopkins once again confronts psychotic evil, this time while investigating the possible connection between a multiple homicide and the disappearance of a fellow cop. The trilogy concludes with Suicide Hill, a manhunt-thriller in which Hopkins tracks down a kidnapper and discovers among his colleagues a complex web of power, corruption, and lies. Suspenseful, stark, and startling, the novels of the L.A. Noir trilogy exhibit the seminal hallmarks of Ellroy's taut, haunting prose. His dark and disturbing portrait of Hopkins, a thoroughly unlikable protagonist, drives the novels with unrelenting force, taking readers down paths of they might not really want to explore. Readers seeking a protagonist they can identify with, a hero they can like, probably won't find much to recommend in L.A. Noir, but Ellroy never meant Hopkins to be a likable hero. Instead, he has created what he calls "a complex monument to a basically shitty guy," and in doing so he laid the groundwork for the novels that have earned him a seat at the table of truly great crime novelists. In all, L.A. Noir offers Ellroy's admirers a chance to look back a few years and see the primitive intimations of the style and substance that would later characterize his L.A. Quartet series, but it is no primer for beginners, who might be more readily wooed by the more refined tension and complexity of his later novels. --L.A. Smith Det. Sgt. Lloyd Hopkins is the most brilliant homicide detective in the Los Angeles Police Department. A thinking cop in a brutal world, his obsession with hunting down monsters is more than an occupational hazard--it's become a lifestyle. In three explosive cases, he will venture into the heart of evil . . . while trying to reclaim his own soul.Blood on the Moon: Twenty random killings of women remain unconnected in police files. But Det. Sgt. Lloyd Hopkins sees a pattern. In a shattering climax, cold, icy intelligence and white-heated madness are pitted against each other. . . .Because the Night: Jacob Herzog, hero cop, has disappeared. A multiple murder committed with a pre-Civil War revolver remains unsolved. Are the two cases linked? As Det. Sgt. Lloyd Hopkins pieces the puzzle together, he uncovers a startling trail of arcane secrets and madness--all leading to one psychotic mastermind.Suicide Hill: Duane Rice kidnaps a bank manager's girlfriend and an orgy of violence erupts. Leading the manhunt, Det. Sgt. Lloyd Hopkins stumbles on a horrifying conspiracy of corruption and betrayal--among his own colleagues . . . Packed with taut suspense, compelling action, and riveting psychological portraits, these early novels reveal James Ellroy at his best--stark, uncompromised, and exquisite. Three of Ellroy's most compelling novels featuring Detective Sergeant Lloyd Hopkins in one volume.Blood On The Moon: 20 random killings of women are unconnected in police files. But Det. Sgt. Lloyd Hopkins sees a pattern. As he is drawn to the murderer, the two men face a confrontation pitting icy intelligence against white-heated madness. . .Because The Night: Jacob Herzog, hero cop, has disappeared. A multiple murder committed with a pre-Civil War revolver remains unsolved. Are the two cases connected? As Det. Sgt. Lloyd Hopkins pieces the puzzle together he discovers the darker threat of John Haviland, a psychiatrist whose pleasure comes from the manipulation of the weak and lonely.Suicide Hill: Duane Rice leaves jail with good news and bad news: two adulterous bank managers are ripe for squeezing, but Vandy, who he is obsessed with making a rock star, has disappeared. An orgy of violence erupts as Duane's partner goes beserk and Duane settles scores with knife and bullet. Leading the manhunt Sgt. Lloyd Hopkins stumbles on a horrifying conspiracy of corruption and betrayal- among his own colleagues. Ellroy's three great early novels are available in one volume for the first time - the books that led up to his LA Quartet. A single-volume edition of three of the novels featuring Detective Sergeant Lloyd Hopkins of Los Angeles. The first involves the apparently random killings of 20 women, the second a multiple murder committed with a pre-Civil-War revolver, and the third a conspiracy of police corruption