Kunst- und Dichtungstheorien zwischen Aufklärung und Klassik (German Edition)

Studia Typologica is the companion series of the journal Sprachtypologie und Universalienforschung/Language Typology and Universals (STUF). Studia Typologica publishes scholarly studies of high quality dedicated to promising new topics in the realm of general-comparative linguistics. The series especially welcomes contributions which argue on a solid empirical foundation, have a cross-linguistic orientation and raise new issues which are addressed in innovative ways. The series encourages work on understudied languages and understudied phenomena. Studia Typologica is also interested in areal-typological studies and research on the interface of language contact and language typology. The series is meant as a forum for typologically minded investigations independent of the school of thought the authors adhere to. Monographs as well as collections of articles (sharing a common theme) are published in this series. All manuscripts are peer-reviewed (double blind). The language of publication is English. Einleitung I. Teil. PHILOSOPHEN Kapitel I: Baumgarten 1. Stellung der Ästhetik in der Leibnizischen Philosophie 2. Die ästhetische Einstellung 3. Das System Kapitel II: Meier Kapitel III: Sulzer 1. Die psychologischen Grundlagen 2. Das Kunstwerk Kapitel IV: Mendelssohn 1. Die Schönheit 2. Das ästhetische Wohlgefallen 3. Die Kunst II. Teil. KRITIKER Kapitel I: Winckelmann Kapitel II: Lessing 1. Der Funktionalismus 2. Die Kunstformen 3. Kritik und Genie Kapitel III: Herder 1. Der Relativismus 2. Die absoluten Werte 3. Die Künste III. Teil. KANT 1. Stellung der Ästhetik in der Kantischen Philosophie 2. Die ästhetische Wertung 3. Das Kunstschaffen ANHANG Schlußwort: Vier Jahrzehnte Ästhetik Bibliographie Namenregister Sachregister