Ku Klux Kulture : America and the Klan in the 1920s

In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In __Ku Klux Kulture__, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement. __Ku Klux Kulture__ reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. __Ku Klux Kulture__ gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture. A study of the Ku Klux Klan's efforts to interact with American culture in the 1920s. In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture , Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement. Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan's racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America's prevailing culture. Praise for Ku Klux Kulture "A superb piece of scholarship. . . . [Harcourt] is particularly good at showing how anti-Klan cultural productions helped legitimatize the Klan's views." — The New Republic "An impressive work of archival history. . . . The book is essential reading, because it shows that, rather than a radical fringe group, the 1920s KKK was a central, well-respected part of white Protestant culture." — The Forward "An intriguing exploration of the rise and fall of the second iteration of the Ku Klux Klan. . . . Recommended." — Choice "In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement. Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan's racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America's prevailing culture."-- Provided by publisher In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement. Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan's racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America's prevailing culture.--Dust jacket flap Contents 6 1. Ordinary Human Interests 8 2. White and White and Read All Over 19 3. Fiery Cross-Words 38 4. The Good, the Bad, and the Best Sellers 59 5. Good Fiction Qualities 82 6. Just Entertainment 107 7. That Ghastly Saxophone 130 8. PBS— The Protestant Broadcasting System 149 9. Invisible Umpires 167 Epilogue: The Most Picturesque Element 186 Acknowledgments 192 Notes 194 Glossary 232 Bibliography 234 Index 256