Kiss My Relics : Hermaphroditic Fictions of the Middle Ages

Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified God’s order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as “hermaphroditic” and, by the later Middle Ages, to be equated with homosexuality.At the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such texts—Alain de Lille’s __De planctu Naturae__ and Guillaume de Lorris and Jean de Meun’s __Roman de la Rose__—arguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on Chaucer’s __Pardoner’s Prologue and Tale__. Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified God’s order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as “hermaphroditic” and, by the later Middle Ages, to be equated with homosexuality. At the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such texts—Alain de Lille’s De planctu Naturae and Guillaume de Lorris and Jean de Meun’s Roman de la Rose —arguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on Chaucer’s Pardoner’s Prologue and Tale . This Title Explores The Sexual Allurements Which Were Known As 'hermaphroditic' In The Middle Ages. Rollo Examines Alain De Lille's 'de Planctu Naturae' And Guillaume De Lorris And Jean De Meun's 'roman De La Rose', Arguing That Their Authors Brought About A Nuanced Reappraisal Of Homosexuality. Martianus Capella, De Nuptiis Philologiae Et Mercurii : A Brother To Hermaphroditus -- Martianus Capella, De Nuptiis Philologiae Et Mercurii ; Remigius Of Auxerre, Commentum In Martianum Capellam : Venus Rediviva -- William Of Malmesbury, Gesta Regum Anglorum : Empowering Remnants Of Ancient Rome -- Alain De Lille, De Planctu Naturae : The Orthography Of Venus -- Alain De Lille, De Planctu Naturae: The Vulgar Whorehouses Of The Earth -- Alain De Lille, De Planctu Naturae : Varied Colors Of Venereal Discourse -- Guillaume De Lorris And Jean De Meun, Le Roman De La Rose : The Garden Of Unhallowed Delights -- Jean De Meun, Le Roman De La Rose : Unrefined Reason -- Jean De Meun, Le Roman De La Rose : Bele A Coilles -- Conclusion : Never Mind The Relics. David Rollo. Includes Bibliographical References And Index.