Kindred Voices : A Literary History of Medieval Anatolia

By the mid-thirteenth century, Anatolia had become a region of stunning cultural diversity, home not only to Armenians and Greeks but also to Persians, Turks, Arabs, Mongols, Jews, and others. Kindred Voices explores how the Muslim and Christian poets of Anatolia grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of religious instruction to their intermingled communities. This unique, under-studied convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period’s literature to reach new and wider audiences. This is the first book to study the era’s major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem. Although these poets were later constructed as foundational figures in their own “national” literary histories, they first emerged, before the rise of the Ottomans, from a shared and fraught terrain. The fascinating story of how premodern Anatolia’s multireligious intersection of cultures shaped its literary languages and poetic masterpieces

By the mid-thirteenth century, Anatolia had become a place of stunning cultural diversity. Kindred Voices explores how the region’s Muslim and Christian poets grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of instruction to their intermingled communities. This convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period’s literature to reach new and wider audiences. This is the first book to study the era’s major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem. **The fascinating story of how Anatolia’s multireligious intersection of cultures shaped its literary languages and poetic masterpieces** By the mid-thirteenth century, Anatolia had become a place of stunning cultural diversity. Michael Pifer explores how the region’s Muslim and Christian poets grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of religious instruction to their intermingled communities. This convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period’s literature to reach new and wider audiences. This is the first book to study the era’s major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem. "By the mid-thirteenth century, Anatolia had become a place of stunning cultural diversity. Kindred Voices explores how the region's Muslim and Christian poets grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of instruction to their intermingled communities. This convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period's literature to reach new and wider audiences. This is the first book to study the era's major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem."--Provided by publisher. By the mid-thirteenth century, Anatolia had become a place of stunning cultural diversity. Kindred Voices explores how the region's Muslim and Christian poets grappled with the multilingual and multireligious worlds they inhabited, attempting to impart resonant forms of instruction to their intermingled communities. This convergence produced fresh poetic styles and sensibilities, native to no single people or language, that enabled the period's literature to reach new and wider audiences. This book studies the era's major Persian, Armenian, and Turkish poets, from roughly 1250 to 1340, against the canvas of this broader literary ecosystem Michael Pifer explores how Muslim and Christian poets of Anatolia grappled with the stunning cultural diversity of their region, home not only to Armenians and Greeks, but also to Persians, Turks, Arabs, Mongols, Jews, and others. This convergence produced fresh poetic styles and sensibilities, native to no single people, enabling the period's literature to speak to new and wider audiences. It is the first book to study the era's major poets against the canvas of this broader literary ecosystem