Kenji Mizoguchi and the Art of Japanese Cinema

Translated by Brij Tankha Kenji Mizoguchi is one of the three acclaimed masters--together with Yasujiro Ozu and Akira Kurosawa--of Japanese cinema. Ten years in the making, Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the 20th century. Born at the end of the 19th Century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his beloved sister was sold into a geisha house. Her earnings paid for Mizoguchi's education. Weak and deluded men, and strong, self-sacrificing women--these were to become the obsessive motifs of Mizoguchi's films. Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns--the role of women and the realist representation of the inequities of Japanese society--were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan. Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director. Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture. Kenji Mizoguchi And The Art Of Japanese Cinema Is The Definitive Guide To The Life And Work Of One Of The Greatest Film-makers Of The Twentieth Century. The Book Tells The Full Story Of This Famously Perfectionist, Even Tyrannical, Director. Mizoguchi's Key Films, Cinematographic Techniques And His Social And Aesthetic Concerns Are All Discussed And Set In The Context Of Japan's Changing Popular And Political Culture.--jacket. 1. Original Spirit -- 2. Encountering The New School Theatre -- 3. From New School Theatre To Naturalism-realism -- 4. Social Realism -- 5. Fate Of Matinee Idols -- 6. Art Imitates Life -- 7. Three Traditional Art Films (geidomono) -- 8. Difficult Woman -- 9. Recreating The Classics -- 10. Last Works -- 11. Dialectic Of Camera And Performance -- 12. Looking Up, Looking Down -- Mizoguchi's Filmography -- List Of English And Original Titles Of Films Of Other Directors Cited In The Book. Tadao Sato ; Translated By Brij Tankha ; Edited By Aruna Vasudev & Latika Padgaonkar. Includes Index. Includes Filmography (pages 183-188) And Index. Translated From The Japanese. A guide to the life and work of one of the greatest film-makers of the twentieth century - Kenji Mizoguchi. It discusses Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns.