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Jews, Gentiles, and Other Animals: The Talmud After the Humanities (Divinations: Rereading Late Ancient Religion)

معرفی کتاب «Jews, Gentiles, and Other Animals: The Talmud After the Humanities (Divinations: Rereading Late Ancient Religion)» نوشتهٔ Mira Beth Wasserman، منتشرشده توسط نشر University of Pennsylvania Press در سال 2017. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

In __Jews, Gentiles, and Other Animals__, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud's most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humanities, including animal studies, the new materialisms, and other areas of critical theory that have been reshaping the understanding of what it is to be a human being. Even as it comments on the the rabbinic laws that govern relations between Jews and non-Jews, Avoda Zara is also an attempt to reflect on what all people share in common, and on how humans fit into a larger universe of animals and things. As is typical of the Talmud in general, it proceeds by incorporating a vast and confusing array of apparently digressive materials, but Wasserman demonstrates that there is a whole greater than the sum of the parts, a sustained effort to explore human identity and difference. In centuries past, Avoda Zara has been a flashpoint in Jewish-Christian relations. It was partly due to its content that the Talmud was subject to burning and censorship by Christian authorities. Wasserman develops a twenty-first-century reading of the tractate that aims to reposition it as part of a broader quest to understand what connects human beings to each other and to the world around them. Mira Beth Wasserman Undertakes A Close Reading Of Avoda Zara, Arguably The Talmud's Most Scandalous Tractate, To Uncover The Hidden Architecture Of This Classic Work Of Jewish Religious Thought. She Proposes A New Way Of Reading The Talmud That Brings It Into Conversation With The Humanities, Including Animal Studies, The New Materialisms, And Other Areas Of Critical Theory That Have Been Reshaping The Understanding Of What It Is To Be A Human Being. Even As It Comments On The The Rabbinic Laws That Govern Relations Between Jews And Non-jews, Avoda Zara Is Also An Attempt To Reflect On What All People Share In Common, And On How Humans Fit Into A Larger Universe Of Animals And Things. As Is Typical Of The Talmud In General, It Proceeds By Incorporating A Vast And Confusing Array Of Apparently Digressive Materials, But Wasserman Demonstrates That There Is A Whole Greater Than The Sum Of The Parts, A Sustained Effort To Explore Human Identity And Difference. In Centuries Past, Avoda Zara Has Been A Flashpoint In Jewish-christian Relations. It Was Partly Due To Its Content That The Talmud Was Subject To Burning And Censorship By Christian Authorities. Wasserman Develops A Twenty-first Century Reading Of The Tractate That Aims To Reposition It As Part Of A Broader Quest To Understand What Connects Human Beings To Each Other And To The World Around Them. A Note On Sources, Usage, And Transliteration -- Introduction -- The Sense Of A Beginning -- Jews, Gentiles, And Other Animals -- Leaky Vessels -- Ethics And Objects -- The Last Laugh -- Notes -- Index -- Acknowledgments. Mira Beth Wasserman. Includes Bibliographical References And Index.

In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud's most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humanities, including animal studies, the new materialisms, and other areas of critical theory that have been reshaping the understanding of what it is to be a human being.

Even as it comments on the the rabbinic laws that govern relations between Jews and non-Jews, Avoda Zara is also an attempt to reflect on what all people share in common, and on how humans fit into a larger universe of animals and things. As is typical of the Talmud in general, it proceeds by incorporating a vast and confusing array of apparently digressive materials, but Wasserman demonstrates that there is a whole greater than the sum of the parts, a sustained effort to explore human identity and difference.

In centuries past, Avoda Zara has been a flashpoint in Jewish-Christian relations. It was partly due to its content that the Talmud was subject to burning and censorship by Christian authorities. Wasserman develops a twenty-first-century reading of the tractate that aims to reposition it as part of a broader quest to understand what connects human beings to each other and to the world around them.

Cover 1 Contents 8 A Note on Sources, Usage, and Transliteration 10 Introduction 14 1. The Sense of a Beginning 49 2. Jews, Gentiles, and Other Animals 86 3. Leaky Vessels 133 4. Ethics and Objects 179 5. The Last Laugh 226 Notes 256 Index 310 A 310 B 311 C 312 D 313 E 313 F 314 G 314 H 315 I 316 J 316 K 317 L 317 M 318 N 318 O 318 P 319 Q 319 R 319 S 320 T 322 U 323 V 323 W 323 Y 324 Z 324 Acknowledgments 326 In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Babylonian Talmud's most scandalous tractate. According to Wasserman, Avoda Zara is where this Talmud joins the humanities in questioning what it means to be a human.
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