Jasmine and Stars: Reading More Than Lolita in Tehran (Islamic Civilization and Muslim Networks)
معرفی کتاب «Jasmine and Stars: Reading More Than Lolita in Tehran (Islamic Civilization and Muslim Networks)» نوشتهٔ Fatemeh Keshavarz; ProQuest (Firm)، منتشرشده توسط نشر The University of North Carolina Press در سال 2007. این کتاب در 9 صفحه، فرمت pdf، زبان انگلیسی ارائه شده است.
In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich but virtually unknown culture alive with artistic expression. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the best-sellingReading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the "New Orientalist narrative" marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life from childhood memories in 1960s Shiraz to her present life as a professor in America Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans.
Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the "New Orientalist narrative," a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran.
Blending in firsthand glimpses of her own life--from childhood memories in 1960s Shiraz to her present life as a professor in America--Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.
In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books , which epitomizes what Keshavarz calls the "New Orientalist narrative," a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life—from childhood memories in 1960s Shiraz to her present life as a professor in America—Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present. In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the "New Orientalist narrative," which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran , which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. --> The Author Provides A Different Perspective Of Iranian Literature And Society By Introducing Readers To Two Modern Iranian Women Writers Who Attempt To Break The Stereotypical Impression Of Women As Voiceless Victims. Acknowledgments -- Introduction: What Does The Elephant Look Like? -- The Jasmine, The Stars, And The Grasshoppers -- The Eternal Forough: The Voice Of Our Earthly Rebellion -- My Uncle The Painter -- Women Without Men: Fireworks Of The Imagination -- The Good, The Missing, And The Faceless: What Is Wrong With Reading Lolita In Tehran -- Tea With My Father And The Saints -- Index. Fatemeh Keshavarz. Includes Index. Includes Bibliographical References And Index. Contents......Page 8 Acknowledgments......Page 10 Introduction: What Does the Elephant Look Like?......Page 14 1 The Jasmine, the Stars, and the Grasshoppers......Page 26 2 The Eternal Forough: The Voice of Our Earthly Rebellion......Page 46 3 My Uncle the Painter......Page 72 4 Women without Men: Fireworks of the Imagination......Page 98 5 The Good, the Missing, and the Faceless: What Is Wrong with Reading Lolita in Tehran......Page 122 6 Tea with My Father and the Saints......Page 158 C......Page 180 G......Page 181 I......Page 182 M......Page 183 O......Page 184 R......Page 185 T......Page 186 Z......Page 187 In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the "New Orientalist narrative," which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. She offers a lively criti
دانلود کتاب Jasmine and Stars: Reading More Than Lolita in Tehran (Islamic Civilization and Muslim Networks)
Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the "New Orientalist narrative," a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran.
Blending in firsthand glimpses of her own life--from childhood memories in 1960s Shiraz to her present life as a professor in America--Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.
In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books , which epitomizes what Keshavarz calls the "New Orientalist narrative," a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life—from childhood memories in 1960s Shiraz to her present life as a professor in America—Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present. In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the "New Orientalist narrative," which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran , which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. --> The Author Provides A Different Perspective Of Iranian Literature And Society By Introducing Readers To Two Modern Iranian Women Writers Who Attempt To Break The Stereotypical Impression Of Women As Voiceless Victims. Acknowledgments -- Introduction: What Does The Elephant Look Like? -- The Jasmine, The Stars, And The Grasshoppers -- The Eternal Forough: The Voice Of Our Earthly Rebellion -- My Uncle The Painter -- Women Without Men: Fireworks Of The Imagination -- The Good, The Missing, And The Faceless: What Is Wrong With Reading Lolita In Tehran -- Tea With My Father And The Saints -- Index. Fatemeh Keshavarz. Includes Index. Includes Bibliographical References And Index. Contents......Page 8 Acknowledgments......Page 10 Introduction: What Does the Elephant Look Like?......Page 14 1 The Jasmine, the Stars, and the Grasshoppers......Page 26 2 The Eternal Forough: The Voice of Our Earthly Rebellion......Page 46 3 My Uncle the Painter......Page 72 4 Women without Men: Fireworks of the Imagination......Page 98 5 The Good, the Missing, and the Faceless: What Is Wrong with Reading Lolita in Tehran......Page 122 6 Tea with My Father and the Saints......Page 158 C......Page 180 G......Page 181 I......Page 182 M......Page 183 O......Page 184 R......Page 185 T......Page 186 Z......Page 187 In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the "New Orientalist narrative," which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. She offers a lively criti