Is that a fish in your ear? : translation and the meaning of everything

What is a translation? -- Is translation avoidable? -- Why do we call it "translation"? -- Things people say about translation -- Fictions of the foreign : the paradox of "foreign-soundingness" -- Native command : is your language really yours? -- Meaning is no simple thing -- Words are even worse -- Understanding dictionaries -- The myth of literal translation -- The issue of trust : the long shadow of oral translation -- Custom cuts : making forms fit -- What can't be said can't be translated : the axion of effability -- How many words do we have for coffee? -- Bibles and bananas : the vertical axis of translation relations -- Translation impacts -- The third code : translation as a dialect -- No language is an island : the awkward issue of L3 -- Global flows : center and periphery in the translation of books -- A question of human rights : translation and the spread of international law -- Ceci n'est pas une traduction : language parity in the European Union -- Translating news -- The adventure of automated language-translation machines -- A fish in your ear : the short history of simultaneous interpreting -- Match me if you can : translating humor -- Style and translation -- Translating literary texts -- What translators do -- Beating the bounds : what translation is not -- Under fire : sniping at translation -- Sameness, likeness, and match : truths about translation -- Avatar : a parable of translation -- Afterbabble : in lieu of an epilogue.;Funny and surprising on every page, Is That a Fish in Your Ear offers readers new insight into the mystery of how we come to know what someone else means whether we wish to understand Asteerix cartoons or a foreign head of state. Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Camerons Avatar. Is That a Fish in Your Ear ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to understand the world. --amazon.com.

A New York Times Notable Book for 2011
One of The Economist's 2011 Books of the Year

People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors' languages—as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn't even be able to put together flat-pack furniture.

Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What's the difference between translating unprepared natural speech and translating Madame Bovary? How do you translate a joke? What's the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why?

But the biggest question Bellos asks is this: How do we ever really know that we've understood what anybody else says—in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.

A New York Times Notable Book for 2011 One of The Economist 's 2011 Books of the Year People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors' languages—as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn't even be able to put together flat-pack furniture. Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What's the difference between translating unprepared natural speech and translating Madame Bovary ? How do you translate a joke? What's the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why? But the biggest question Bellos asks is this: How do we ever really know that we've understood what anybody else says—in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.