Is that a fish in your ear? : translation and the meaning of everything

Funny and surprising on every page, Is That a Fish in Your Ear offers readers new insight into the mystery of how we come to know what someone else means whether we wish to understand Asteerix cartoons or a foreign head of state. Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Camerons Avatar. Is That a Fish in Your Ear ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to understand the world. --amazon.com. Read more... Abstract: Funny and surprising on every page, Is That a Fish in Your Ear offers readers new insight into the mystery of how we come to know what someone else means whether we wish to understand Asteerix cartoons or a foreign head of state. Using translation as his lens, David Bellos shows how much we can learn about ourselves by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Camerons Avatar. Is That a Fish in Your Ear ranges across human experience to describe why translation sits deep within us all, and why we need it in so many situations, from the spread of religion to our appreciation of literature; indeed, Bellos claims that all writers are by definition translators. Written with joie de vivre, reveling both in misunderstanding and communication, littered with wonderful asides, it promises any reader new eyes through which to understand the world. --amazon.com Is That a Fish in Your Ear?
ONEWhat Is a Translation?Douglas Hofstadter took a great liking to this short poem by the sixteenth-century French wit Clment Marot:Ma mignonne, Je vous donne Le bon jour; Le sjour C'est prison. Gurison Recouvrez, Puis ouvrez Votre porte Et qu'on sorte Vitement, Car Clment Le vous mande. Va, friande De ta bouche, Qui se couche En danger Pour manger Confitures;Si tu dures Trop malade, Couleur fade Tu prendras, Et perdras L'embonpoint. Dieu te doint Sant bonne, Ma mignonne.He sent a copy of it to a great number of his friends and acquaintances and asked them to translate it into English, respecting as well as they could the formal properties that he identified in it:(1) 28 lines (2) of 3 syllables each (3) in rhyming couplets (4) with the last line being the same as the first; (5) midway the poem changes from formal (vous) to informal (tu) and (6) the poet puts his own name directly into the poem.1Hofstadter, a cognitive scientist at Indiana University, got many dozens of responses over the following months and years. Each one of them was different, yet each one of them was without doubt a translation of Marot's little poem. By this simple device he demonstrated one of the most awkward and wonderful truths about translation. It is this: any utterance of more than trivial length has no one translation; all utterances have innumerably many acceptable translations.You get the same result with ordinary prose as you do with a poem. Give a hundred competent translators a page to translate, and the chances of any two versions being identical are close to zero. This fact about interlingual communication has persuaded many people that translation is not an interesting topic--because it is always approximate, it is just a second-rate kind of thing. That's why "translation" isn't the name of a long-established academic discipline, even though its practitioners have often been academics in some other field. How can you have theories and principles about a process that comes up with no determinate results?Like Hofstadter, I take the opposite view. The variability of translations is incontrovertible evidence of the limitless flexibility of human minds. There can hardly be a more interesting subject than that.What is it that translators really do? How many different kinds of translating are there? What do the uses of this mysterious ability tell us about human societies, past and present? How do the facts of translation relate to language use in general--and to what we think a language is?Those are the kinds of questions I explore in this book. Definitions, theories, and principles can be left aside until we have a better idea of what we are talking about. We shouldn't use them prematurely to decide whether the following version of Clment Marot's poem (one of many by Hofstadter himself) is good, bad, or indifferent. It's the other way around. Until we can explain why the following version counts as a translation, we don't really know what we're saying when we utter the word.Gentle gem, Diadem, Ciao! Bonjour! Heard that you're In the rough: Glum, sub-snuff. Precious, tone Down your moan, And fling wideYour door; glide From your oy- ster bed, coy Little pearl. See, blue girl, Beet-red ru- by's your hue. For your aches, Carat cakes Are the cure. Eat no few'r Than fourteen, Silv'ry queen--But no more 'n twenty-four, Golden dream. How you'll gleam! Trust old Clem Gentle gem.Copyright 2011 by David Bellos

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Excerpted from Is That a Fish in Your Ear? by David Bellos Copyright © 2011 by David Bellos. Excerpted by permission.
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Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. A New York Times Notable Book for 2011 One of The Economist’s 2011 Books of the Year People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors’ languages—as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn’t even be able to put together flat-pack furniture. Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What’s the difference between translating unprepared natural speech and translating Madame Bovary? How do you translate a joke? What’s the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why? But the biggest question Bellos asks is this: How do we ever really know that we’ve understood what anybody else says—in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.