Investigations Into the Phenomenology and the Ontology of the Work of Art: What are Artworks and How Do We Experience Them? (Contributions to Phenomenology Book 81)

This Book Investigates The Nature Of Aesthetic Experience And Aesthetic Objects. Written By Leading Philosophers, Psychologists, Literary Scholars And Semioticians, The Book Addresses Two Intertwined Issues. The First Is Related To The Phenomenology Of Aesthetic Experience: The Understanding Of How Human Beings Respond To Artworks, How We Process Linguistic Or Visual Information, And What Properties In Artworks Trigger Aesthetic Experiences. The Examination Of The Properties Of Aesthetic Experience Reveals Essential Aspects Of Our Perceptual, Cognitive, And Semiotic Capacities. The Second Issue Studied In This Volume Is Related To The Ontology Of The Work Of Art: Written Or Visual Artworks Are A Specific Type Of Objects, Containing Particular Kinds Of Representation Which Elicit A Particular Kind Of Experience. The Research Question Explored Is: What Properties In Artful Objects Trigger This Type Of Experience, And What Characterizes Representation In Written And Visual Artworks? The Volume Sets The Scene For State-of-the-art Inquiries In The Intersection Between The Psychology And Ontology Of Art. The Investigations Of The Relation Between The Properties Of Artworks And The Characteristics Of Aesthetic Experience Increase Our Insight Into What Art Is. In Addition, They Shed Light On Essential Properties Of Human Meaning-making In General. Introduction: Peer F. Bundgaard -- Temporal Aspects Of Literary Reading; David S. Miall -- Memory And Mental States In The Appreciation Of Literature; Marisa Bortolussi And Peter Dixon -- Temporal Conflict In The Reading Experience; Cathrine Kietz -- The Aesthetic Experience With Visual Art “at First Glance”; Paul J. Locher -- What Is A Surface? In The Real World? And Pictures?; John M. Kennedy And Marta Wnuczko -- The Idiosyncrasy Of Beauty: Aesthetic Universals And The Diversity Of Taste; Patrick Colm Hogan -- Why We Are Not All Novelists; Shaun Gallagher -- Aesthetic Relationship, Cognition, And The Pleasures Of Art; Jean-marie Schaeffer -- More Seeing-in: Surface Seeing, Design Seeing, And Meaning Seeing In Pictures; Peer F. Bundgaard -- Depiction; John Hyman -- Green War Banners In Central Copenhagen: A Recent Political Struggle Over Interpretation — And Some Implications For Art Interpretation As Such; Frederik Stjernfelt -- The Appropriation Of The Work Of Art As A Semiotic Act; Francis Édeline And Jean-marie Klinkenberg -- Sculpture, Diagram, And Language In The Artwork Of Joseph Beuys; Wolfgang Wildgen. Index. . Edited By Peer F. Bundgaard, Frederik Stjernfelt. Front Matter....Pages i-vi Introduction....Pages 1-13 Temporal Aspects of Literary Reading....Pages 15-30 Memory and Mental States in the Appreciation of Literature....Pages 31-49 Temporal Conflict in the Reading Experience....Pages 51-73 The Aesthetic Experience with Visual Art “At First Glance”....Pages 75-88 What Is a Surface? In the Real World? And Pictures?....Pages 89-107 The Idiosyncrasy of Beauty: Aesthetic Universals and the Diversity of Taste....Pages 109-127 Why We Are Not All Novelists....Pages 129-143 Aesthetic Relationship, Cognition, and the Pleasures of Art....Pages 145-165 More Seeing-in: Surface Seeing, Design Seeing, and Meaning Seeing in Pictures....Pages 167-189 Depiction....Pages 191-208 Green War Banners in Central Copenhagen: A Recent Political Struggle Over Interpretation—And Some Implications for Art Interpretation as Such....Pages 209-223 The Appropriation of the Work of Art as a Semiotic Act....Pages 225-242 Sculpture, Diagram, and Language in the Artwork of Joseph Beuys....Pages 243-257 Back Matter....Pages 259-264