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Investigating Identities: Questions of Identity in Contemporary International Crime Fiction. (Textxet: Studies in Comparative Literature)

معرفی کتاب «Investigating Identities: Questions of Identity in Contemporary International Crime Fiction. (Textxet: Studies in Comparative Literature)» نوشتهٔ edited by Marieke Krajenbrink and Kate M. Quinn، منتشرشده توسط نشر Brill Academic Pub در سال 2009. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, and examine how identity is affirmed and challenged in the crime genre today. They reveal a growing tendency towards hybridization and postmodern experimentation, and increasing engagement with philosophical enquiry into the epistemological dimensions of investigation. Throughout, the notion of stable identities is subject to scrutiny. While each essay in itself is a valuable addition to existing criticism on the genre, all the chapters mutually inform and complement each other in fascinating and often unexpected ways. This volume makes an important contribution to the growing field of crime fiction studies and to ongoing debates on questions of identity. It will therefore be of special interest to students and scholars of the crime genre, identity studies and comparative literature. It will also appeal to all who enjoy reading contemporary crime fiction. Contents......Page 8 Acknowledgements......Page 12 Introduction: Investigating Identities......Page 14 NATIONALITY INTERNATIONAL: DETECTIVE FICTION IN THE LATE TWENTIETH CENTURY......Page 24 ARTICULATING AND DISARTICULATING CULTURE AND IDENTITY IN VÁZQUEZ MONTALBÁN’S SERIE CARVALHO......Page 40 POPULAR GENRE AND THE POLITICS OF THE PERIPHERY: CATALAN CRIME FICTION BY WOMEN......Page 56 QUESTIONS OF IDENTITY: AN EXPLORATION OF SPANISH DETECTIVE FICTION......Page 70 ABYSS OF THE SENSES: LES RIVIÈRES POURPRES BY JEAN-CHRISTOPHE GRANGÉ......Page 90 FRACTURED IDENTITIES: JEAN-CLAUDE IZZO’S TOTAL KHÉOPS......Page 108 DETECTING ETHNICITY: JAKOB ARJOUNI AND THE CASE OF THE MISSING GERMAN DETECTIVE NOVEL......Page 126 DOUBLE IDENTITY: HARD-BOILED DETECTIVE FICTION AND THE DIVIDED “I”......Page 144 PLUM’S THE GIRL! JANET EVANOVICH AND THE EMPOWERMENT OF MS COMMON AMERICA......Page 158 MURDER AND LOVE: RUSSIAN WOMEN DETECTIVE WRITERS......Page 172 PERSPECTIVES ON THE DETECTIVE NOVEL IN AFRIKAANS......Page 184 WANTED: NATIONAL ALGERIAN IDENTITY......Page 196 “TROUBLING” THRILLERS: POLITICS AND POPULAR FICTION IN NORTHERN IRELAND LITERATURE......Page 212 DOUBLE DUTCH: IMAGE AND IDENTITY IN DUTCH AND FLEMISH CRIME FICTION......Page 228 CULTURAL IDENTITY IN SWISS GERMAN DETECTIVE FICTION......Page 242 UNRESOLVED IDENTITIES IN ROTH AND RABINOVICI: REWORKING THE CRIME GENRE IN AUSTRIAN LITERATURE......Page 256 CRIME NOVELS IN ITALY......Page 274 THE DETECTIVE AND THE DISAPPEARED: MEMORY, FORGETTING AND OTHER CONFUSIONS IN JUAN JOSÉ SAER’S......Page 290 CASES OF IDENTITY CONCEALED AND REVEALED IN CHILEAN DETECTIVE FICTION......Page 308 FROM A GOOD FIRM KNOT TO A MESS OF LOOSE ENDS: IDENTITY AND SOLUTION IN MARTIN AMIS’ NIGHT TRAIN......Page 324 Notes on Contributors......Page 338 Index......Page 342 Annotation. Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas Edited By Marieke Krajenbrink And Kate M. Quinn. Includes Bibliographical References And Index.
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