Inventing the Gothic Corpse : The Thrill of Human Remains in the Eighteenth-Century Novel

__Inventing the Gothic Corpse__ shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira’s book tracks this change at it unfolds in eighteenth-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver. In tracing this long historical arc, Shapira illuminates a hidden side of the history of the novel: the dead body, she shows, helps the fledgling literary form confront its own controversial ability to entertain. Her close scrutiny of fictional corpses across the long eighteenth century reveals how the dead body functions as a test of the novel’s intentions, a chance for novelists to declare their allegiances in the battle between the didactic and the “merely” pleasurable. This book shows how a series of bold experiments in eighteenth-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira's book tracks this change at it unfolds in eighteenth-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver. In tracing this long historical arc, Shapira illuminates a hidden side of the history of the novel: the dead body, she shows, helps the fledgling literary form confront its own controversial ability to entertain. Her close scrutiny of fictional corpses across the long eighteenth century reveals how the dead body functions as a test of the novel's intentions, a chance for novelists to declare their allegiances in the battle between the didactic and the 'merely' pleasurable Annotation 'Inventing the Gothic Corpse' shows how a series of bold experiments in 18th-century British realist and Gothic fiction transform the dead body from an instructive icon into a thrill device. For centuries, vivid images of the corpse were used to deliver a spiritual or political message; today they appear regularly in Gothic and horror stories as a source of macabre pleasure. Yael Shapira's book tracks this change at it unfolds in 18th-century fiction, from the early novels of Aphra Behn and Daniel Defoe, through the groundbreaking mid-century works of Samuel Richardson, Henry Fielding and Horace Walpole, to the Gothic fictions of Ann Radcliffe, Matthew Lewis, Charlotte Dacre and Minerva Press authors Isabella Kelly and Mrs. Carver Front Matter ....Pages i-xii Introduction: The Novel, the Corpse and the Eighteenth-Century Marketplace (Yael Shapira)....Pages 1-46 Front Matter ....Pages 47-47 Spectacles for Sale: Reframing the Didactic Corpse in Behn and Defoe (Yael Shapira)....Pages 49-84 Fictional Corpses at Mid-Century: Richardson, Fielding and the Trouble with Hamlet (Yael Shapira)....Pages 85-131 Front Matter ....Pages 133-133 Death, Delicacy and the Novel: The Corpse in Women’s Gothic Fiction (Yael Shapira)....Pages 135-175 Shamelessly Gothic: Enjoying the Corpse in The Monk and Zofloya (Yael Shapira)....Pages 177-217 Conclusion: Remains to Be Seen (Yael Shapira)....Pages 219-231 Back Matter ....Pages 233-265