International Yearbook of Futurism Studies: Volume 10 2020

Band 10 des Jahrbuches fragt, wie der italienische Futurismus sich in anderen Ländern mit lokalen Traditionen verband und so nationale Varianten des Futurismus entstanden. Zehn Beiträge widmen sich verschiedenen Aspekten des italienischen Futurismus und seiner Verbindungen zu Österreich, Georgien, Frankreich, Ungarn und Portugal in Bereichen wie Typografie, olfaktorische Wahrnehmung und Fotografie. Die zweite Sektion umfasst sieben Beiträge zu Karikaturen und Satiren des Futurismus in der zeitgenössischen Presse. Auf den Bericht über das Archiv der Avantgarden (AdA) in Dresden folgt der bibliografische Teil mit Angaben zu 120 Buchveröffentlichungen zum Thema Futurismus im Zeitraum 2017-2020, einschließlich Ausstellungskatalogen, Konferenzberichten und Editionen.Volume 10 examines how the innovative impulses that came from Italy were creatively merged with indigenous traditions and how many national variants of Futurism emerged from this fusion. Ten essays investigate various aspects of Italian Futurism and its links to Austria, Georgia, France, Hungary and Portugual and in fields such as Typography, Olfaction, Photography. Section 2 examines seven examples of caricatures and satires of Futurism in the contemporary press, followed by Section 3, reporting on the Archiv der Avantgarden (AdA) in Dresden. Section 4 communicates bibliographic details of 120 book publications on Futurism in the period 2017-2020, including exhibition catalogues, conference proceedings and editions Contents Editorial Section 1: Futurism Studies The Futurist Manifestos of 1909: Dates and Editions Reconsidered Margherita Sarfatti, Novecento and Futurism Network Diagrams in Futurist and other Avant-garde Magazines: The Creation and Self-Positioning of an Imaginary Community The Reception of Italian Futurism in Vienna during the 1920s and 1930s Carlos Porfírio and Futurism in the Algarve: An Early Chapter in the History of Portuguese Modernism Tullio d’Albisola between Futurism and Fascism The Georgian Avant-garde: Futurism and More Futurism and the Birth of Modern Typography Tato and Exhibitions of Futurist Photography in the 1930s In Search of Lost Scents: The Olfactory Dimension of Italian Futurism Satirizing Futurism in France: Roland Dorgelès, André Warnod and their Circle Section 2: Caricatures and Satires of Futurism in the Contemporary Press At a Sándor Bortnyik Exhibition in Budapest (June 1919): A Hungarian Critic’s Interpretation of ‘Futurism’ Ragnvald Blix’s Caricature of Futurist Painting in the Midst of WWI French Humour and Futurist Music: Luigi Russolo’s intonarumori in a Cartoon by Jean-Jacques Roussau Caricatures of Futurism in Il travaso delle idee Macaronetti, Marie Netti, and the Like: Parodies of Futurism at the Great Zwans Exhibition in Brussels (1914) Returning to the Futurist Fold: A Caricature in Bloodless Murder Magazine (1916) Marinetti Viewed by Antonio Teixeira Cabral, a Portuguese “Caricature-on-the-scene reporter” Section 3: Archive Report Archive Report: The Archiv der Avantgarden (AdA) in Dresden Section 4: Reviews A New Study on Italian Futurism and the Machine New Research into Marinetti’s Notebooks Evola’s Path from Futurism to Dada and Beyond Valentine de Saint-Point: Between Carnality and Ideism, Between East and West Contours and Borders of International Futurism Růžena Zátková’s Life and Works Elucidated in a New Study Ukrainian Modernism between Futurism and Constructivism, between Russia and the West Section 5: Bibliography A Bibliography of Publications on Futurism, 2017–2020 Section 6: Back Matter List of Illustrations and Provenance Descriptions Notes on Contributors Name Index Subject Index Geographical Index Band 10 des Jahrbuches fragt, wie der italienische Futurismus sich in anderen Ländern mit lokalen Traditionen verband und so nationale Varianten des Futurismus entstanden. Zehn Beiträge widmen sich verschiedenen Aspekten des italienischen Futurismus und seiner Verbindungen zu Österreich, Georgien, Frankreich, Ungarn und Portugal in Bereichen wie Typografie, olfaktorische Wahrnehmung und Fotografie. Die zweite Sektion umfasst sieben Beiträge zu Karikaturen und Satiren des Futurismus in der zeitgenössischen Presse. Auf den Bericht über das Archiv der Avantgarden (AdA) in Dresden folgt der bibliografische Teil mit Angaben zu 120 Buchveröffentlichungen zum Thema Futurismus im Zeitraum 2017-2020, einschließlich Ausstellungskatalogen, Konferenzberichten und Editionen.Volume 10 examines how the innovative impulses that came from Italy were creatively merged with indigenous traditions and how many national variants of Futurism emerged from this fusion. Ten essays investigate various aspects of Italian Futurism and its links to Austria, Georgia, France, Hungary and Portugual and in fields such as Typography, Olfaction, Photography. Section 2 examines seven examples of caricatures and satires of Futurism in the contemporary press, followed by Section 3, reporting on the Archiv der Avantgarden (AdA) in Dresden. Section 4 communicates bibliographic details of 120 book publications on Futurism in the period 2017-2020, including exhibition catalogues, conference proceedings and editions The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies