Inside Pierrot Lunaire : Performing the Sprechstimme in Schoenberg's Masterpiece

*Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece* is a handbook on the performance and interpretation of the recitation in Arnold Schoenberg's *Pierrot lunaire*, op. 21. Presenting a guide for the listener and an aid to the interpreter of the 21 melodramas, the book provides an original English translation of each poem, annotated with references to other poems in the cycle, including some of the texts Schoenberg omitted. The volume also offers an analysis of the Sprechstimme in each melodrama in the context of the surrounding texture and directed by the principles of analysis Schoenberg established in his essays and lectures. *Inside Pierrot lunaire* makes a case for the importance of the notated pitches in a correct performance of the Sprechstimme. Acclaimed singer Phyllis Bryn-Julson and music theorist Paul Mathews provide a method for performing the Sprechstimme that considers Schoenberg's performing directions, his sometimes-contradictory statements, the recording Schoenberg conducted in 1939, and the burgeoning scholarship on speech-melody. Bryn-Julson and Mathews also examine the role played by Albertine Zehme, the singing actress who commissioned Pierrot, whose part in its creation has been minimized in previous studies. The discussion of Sprechstimme is informed by a genuine oral tradition running from Eduard Steuermann, the pianist who coached Zehme's premiere of the piece, to Ms. Bryn-Julson's own interpretation. The volume also provides a bibliography of sources and an index. "Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece is a handbook on the performance and interpretation of the recitation in Arnold Schoenberg's Pierrot lunaire, op. 21. As a guide for the listener and an aid to the interpreter of the twenty-one melodramas, this book provides an original English translation of each poem, annotated with references to other poems in the cycle, including some of the texts Schoenberg omitted. The volume also offers an analysis of the Sprechstimme in each melodrama, in the context of the surrounding texture and directed by the principles of analysis Schoenberg established in his essays and lectures."--Jacket This is a handbook on the performance and interpretation of Arnold Schoenberg's Pierrot lunaire, op. 21. The book presents a guide for the listener and an aid to the interpreter of the twenty-one melodramas, providing an original English translation of each poem and an analysis of each melodrama. The book makes a case for the importance of the notated pitches in a correct performance of the Sprechstimme. Schoenberg and the development of the Sprechstimme concept The paths to Pierrot The Sprechstimme in Pierrot lunaire An overview of compositional materials Part I, nos. 1-7 Part II, nos. 8-14 Part III, nos. 15-21.