Indians Illustrated: The Image of Native Americans in the Pictorial Press (The History of Media and Communication)

In the second half of the nineteenth century, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of “buckskinned braves” and “Indian princesses” proved an immensely popular attraction for consumers of publications like __Frank Leslie's Illustrated Newspaper__ and __Harper's Weekly__. This book charts a social and cultural history of Native American illustrations—romantic, violent, racist, peaceful, and otherwise—in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable “good” Indian and “bad” Indian stereotypes already threaded through the culture. The book's examples show how the genre cemented white ideas about how Indians should look and behave—ideas that diminished Native Americans' cultural values and political influence. The book's powerful analysis of themes and visual tropes unlock the racial codes and visual cues that whites used to represent, and marginalize, native cultures already engaged in a twilight struggle against inexorable westward expansion. After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations—romantic, violent, racist, peaceful, and otherwise—in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave—ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent—and marginalize—native cultures already engaged in a twilight struggle against inexorable westward expansion.| Cover Title Page Copyright Contents Acknowledgments Introduction: Illustrating Indians in the Pictorial Press Chapter 1. Posing the Indian: Native American Portraits in the Illustrated Press Chapter 2. Illustrating Indian Lives: Difference and Deficiency in Native American Imagery Chapter 3. The Princess and the Squaw: The Construction of Native American Women in the Pictorial Chapter 4. Making Images on the Indian Frontier: The Adventures of Special Artist Theodore Davis Chapter 5. Illustrating the Indian Wars: Fact, Fantasy, and Ideology Chapter 6. Making Sense of Savagery: Native American Cartoons in the Daily Graphic Chapter 7. Remington's Indian Illustrations: Race, Realism, and Pictorial Journalism Chapter 8. Visualizing Race: Native American and African American Imagery in Frank Leslie's Conclusion: Illustrating Race, Demonstrating Difference Notes Index | " Indians Illustrated is a good read that strongly contributes to our knowledge of American Indians' depictions and stereotyping while bringing the world of nineteenth-century printed press into our own homes." — American Indian Quarterly "In Indians Illustrated , Coward not only has written a book that clearly and decisively achieves the primary objective of providing a history of the development and consequences of Native American stereotypes, but he also provides a framework useful for anyone who seeks to understand stereotyping of any group in American media."— Journalism History "Coward provides a fascinating look at how powerful the visual image can be on the development of cultural attitudes."— Jhistory | John M. Coward is an associate professor of communication at the University of Tulsa. He is the author of The Newspaper Indian: Native American Identity in the Press, 1820–90 . "Indians Illustrated is a social and cultural history of Indian illustrations in Frank Leslie's Illustrated Newspaper, Harper's Weekly, and other illustrated journals during the last half of the nineteenth century, the heyday of the American pictorial press. The pictorial press era, spurred in the mid-1850s by the transportation revolution, innovations in printing technology, and an expanded literary and pictorial market, was marked by a proliferation of detailed, realistic woodblock engravings, pictures of newsworthy people and interesting events from across the nation and the world. The pictorial press frequently depicted Indians and Indian life in popular but narrowly conceived ways. In pictures, Indians were simplified and presented in familiar and easily understood categories, usually as variations on the 'good' Indian/'bad' Indian stereotypes long established in Euro-American culture. Indian men were depicted as 'tall and copper-colored, with braided hair, clothed in buckskin, and moccasins, and adorned in headdresses, beadwork and/or turquoise' while Indian women were depicted as either Indian princesses or squaws. John Coward argues that these pictures helped create and sustain a host of popular ideas and attitudes about Indians, especially ideas about the way Indians were supposed to look and act. By describing and analyzing the various themes and visual tropes across the years of the illustrated press, this book provides a deeper understanding of the racial codes and visual signs that white Americans used to represent Native Americans in an era of western expansion and Manifest Destiny"--Provided by publisher "Indians Illustrated is a social and cultural history of Indian illustrations in Frank Leslie's Illustrated Newspaper, Harper's Weekly, and other illustrated journals during the last half of the nineteenth century, the heyday of the American pictorial press. The pictorial press era, spurred in the mid-1850s by the transportation revolution, innovations in printing technology, and an expanded literary and pictorial market, was marked by a proliferation of detailed, realistic woodblock engravings, pictures of newsworthy people and interesting events from across the nation and the world. The pictorial press frequently depicted Indians and Indian life in popular but narrowly conceived ways. In pictures, Indians were simplified and presented in familiar and easily understood categories, usually as variations on the 'good' Indian/'bad' Indian stereotypes long established in Euro-American culture. Indian men were depicted as 'tall and copper-colored, with braided hair, clothed in buckskin, and moccasins, and adorned in headdresses, beadwork and/or turquoise' while Indian women were depicted as either Indian princesses or squaws. John Coward argues that these pictures helped create and sustain a host of popular ideas and attitudes about Indians, especially ideas about the way Indians were supposed to look and act. By describing and analyzing the various themes and visual tropes across the years of the illustrated press, this book provides a deeper understanding of the racial codes and visual signs that white Americans used to represent Native Americans in an era of western expansion and Manifest Destiny"-- Résumé de l'éditeur