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Indian Renaissance: British Romantic Art And the Prospect of India (British Art and Visual Culture Since 1750 New Readings) (British Art and Visual Culture ... and Visual Culture Since 1750 New Readings)

معرفی کتاب «Indian Renaissance: British Romantic Art And the Prospect of India (British Art and Visual Culture Since 1750 New Readings) (British Art and Visual Culture ... and Visual Culture Since 1750 New Readings)» نوشتهٔ Hermione de Almeida and George H. Gilpin، منتشرشده توسط نشر Ashgate Publishing Limited در سال 2006. این کتاب در 8 صفحه، فرمت pdf، زبان انگلیسی ارائه شده است.

Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery. An examination of British artists whose travel to the subcontinent of India influenced the Romantic Movement in England. It also discuss the impact of the images on the culture of Victorian Britain. Artists discussed include James Forbes, James Wales, Tilly Kettle, William Hodges, Johan Zoffany Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
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