Independent Chinese Documentary: Alternative Visions, Alternative Publics (Edinburgh Studies in East Asian Film)

#### Analyses how independent documentaries are forging a new public sphere in today’s China Since the turn of the twenty-first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or do they point to a more complex attempt to expand the terms of public discourse in the People’s Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public. **Key Features:** * A detailed account of one of the world’s most active, vibrant and challenging contemporary documentary sectors * Draws extensively on first-hand interviews with filmmakers * Offers in-depth, critical analyses of China’s most challenging contemporary independent documentaries * Discusses China’s state-sanctioned film and television sectors to cast new light on how the official public sphere is shaped and guided by the state Since the turn of the twenty-first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or are they part of a broader, more complex push to expand the terms of public discourse in the People's Republic? Considering the relationship between independent documentaries and China's official film and television sectors, this timely study explores the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Based on detailed interviews with Chinese documentary filmmakers that are rarely available in English, the author draws on his own insights as a journalist working in Beijing to provide a detailed analysis of key contemporary documentaries. This groundbreaking book reveals a sustained attempt to forge an alternative public sphere, where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao's repression can be publicly aired for a small but steadily growing public. About the series: Edinburgh Studies in East Asian Film tackles all aspects of East Asian cinema, encompassing its major genres, its leading auteurs, links between regional cinematic traditions and the growth of transnational cinema. There has been an explosion in Chinese independent documentary making since the turn of the twenty-first century. How are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence? Or a more complex attempt to expand the terms of public discourse in the People's Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China's official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao's repression can be publicly aired for a small, but steadily growing, public. This book analyses how independent documentaries are forging a new public sphere in today's China. Since the turn of the twenty first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or are they part of a broader, more complex push to expand the terms of public discourse in the People's Republic? Considering the relationship between independent documentaries and China's official film and television sectors, this timely study explores the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state sanctioned public sphere. Based on detailed interviews with Chinese documentary filmmakers that are rarely available in English, the author draws on his own insights as a journalist working in Beijing to provide a detailed analysis of key contemporary documentaries.0 Based On Detailed Interviews With Chinese Documentary Filmmakers That Are Rarely Avilable In English, The Author Draws On The Own Insights As A Journalist Working In Beijing To Provide A Detailed Analysis Of Key Contemporary Documentaries. This Groundbreaking Book Reveals A Sustained Attempt To Forge An Alternative Public Sphere, Where The Views And Experiences Of Petitioners, Aids Sufferers, Dispossessed Farmers And The Victims Of Mao's Repression Can Be Publicly Aired For A Small But Steadily Public. From Underground Practice To Alternative Public Sphere -- A Public Of Viewer-producers -- Remembering The Past, Reclaiming History -- The Right To Be Public And A Public With Rights -- The Ethics Of Encounter In Chinese Documentary. Dan Edwards. Includes Bibliographical References (pages 183-193) And Index. Filmography: Pages 179-181. Tv Series: Page 182. Analyses how independent documentaries are forging a new public sphere in today's China. This book offers a detailed account of one of the world's active and challenging contemporary documentary sectors. It draws extensively on first hand interviews with filmmakers.