In the Theater of Criminal Justice: The Palais De Justice in Second Empire Paris (Princeton Series in 19th Century Art, Culture, and Society)

Focusing on a sensational 1869 murder trial and on the newly designed wing of the Palais de Justice in which it was held, Katherine Taylor explores the representation of criminal justice in Second Empire Paris. She considers the performative aspect of the trial on its new stage and shows how the controversially ornate design of the courtroom created a heightened sense of theatricality for participants and spectators alike, exacerbating conflicting notions about the theory and practice of criminal justice. The tension caused by the blending of the inquisitorial procedure of the ancien r�gime with an accusatorial one in the modern criminal courtroom expressed a larger conflict concerning sources and types of authority, their styles, and their bases for judging evidence--a conflict played out in the representation of authority in many public buildings of the post-Revolutionary era. This work treats the relationship between judicial and political doctrine and social practice in cultural terms, particularly those of architecture, art, and theater. It offers a unique type of architectural history by interpreting a building through its use and users; it differs from most historical studies of trials by concentrating on the stakes of visual representation. Focusing On A Sensational 1869 Murder Trial And On The Newly Designed Wing Of The Palais De Justice In Which It Was Held, Katherine Taylor Explores The Representation Of Criminal Justice In Second Empire Paris. She Considers The Performative Aspect Of The Trial On Its New Stage And Shows How The Controversially Ornate Design Of The Courtroom Created A Heightened Sense Of Theatricality For Participants And Spectators Alike, Exacerbating Conflicting Notions About The Theory And Practice Of Criminal Justice. The Tension Caused By The Blending Of The Inquisitorial Procedure Of The Ancien Regime With An Accusatorial One In The Modern Criminal Courtroom Expressed A Larger Conflict Concerning Sources And Types Of Authority, Their Styles, And Their Bases For Judging Evidence - A Conflict Played Out In The Representation Of Authority In Many Public Buildings Of The Post-revolutionary Era.--book Jacket. This Work Treats The Relationship Between Judicial And Political Doctrine And Social Practice In Cultural Terms, Particularly Those Of Architecture, Art, And Theater. It Offers A Unique Type Of Architectural History By Interpreting A Building Through Its Use And Users; It Differs From Most Historical Studies Of Trial By Concentrating On The Stakes Of Visual Representation.--book Jacket. Introduction -- The Trial. The Judicial System ; Monumental Access ; Troppmann's Public ; The Trial Personae: Choreography And Character ; The Debates -- The History Of The Right To Punish -- The Inauguration Of The Criminal Wing And Its Critical Reception. Katherine Fischer Taylor. Includes Bibliographical References (p. 109-154) And Index. Focusing on a murder trial held in a newly-designed wing of the Palais de Justice in 1869, this study explores the representation of criminal justice in Paris during this era. It explains how a heightened sense of theatricality was caused by the controversially ornate design of the courtroom. Contents List of Illustrations Acknowledgments Introduction The Trial The History of the Right to Punish The Inauguration of the Criminal Wing and Its Critical Reception Notes Index