پیش‌بینی‌های امپراتوری: نمایش مستعمرات آلمانی (فیلم اروپا، ۱۷)

The Beginning Of Filmmaking In The German Colonies Coincided With Colonialism Itself Coming To A Standstill. Scandals And Economic Stagnation In The Colonies Demanded A New And Positive Image Of Their Value For Germany. By Promoting Business And Establishing A New Genre Within The Fast Growing Film Industry, Films Of The Colonies Were Welcomed By Organizations Such As The Deutsche Kolonialgesellschaft (german Colonial Society). The Films Triggered Patriotic Feelings But Also Addressed The Audience As Travelers, Explorers, Wildlife Protectionists, And Participants In Unique Cultural Events. This Book Is The First In-depth Analysis Of Colonial Filmmaking In The Wilhelmine Era.-- Introduction -- The Beginning Of Colonial Film Culture In Imperial Germany. From The Variety Theatre To The German Colonial Society -- Carl Muller: A Colonial Film Maker -- The Dkg's Film Shows: The Colonies In Motion -- Addressing The Masses. The 'hottentot Election' Of 1907 -- The Dkg's Kinematographenkampagne -- Rise And Fall Of The Kinemtographenkampagne -- Ethnographic Filmmaking In The Colonies -- Karl Weule In German East Africa -- The Expedition In Context: Modern German Ethnography -- Filming In The Colonies: Training And Improvisation -- Tourism, Entertainment, And Colonial Ideology. Colonial Films In Public Cinema -- The Colonial Travelogue -- Colonial Films In Transition: Robert Schumann's Comeback -- Colonial Film Propaganda During The First World War. Setting Up Colonial War Propaganda -- The Deutsche Kolonial-filmgesellschaft (deuko) -- Conclusion. Wolfgang Fuhrmann. Includes Bibliographical References (pages 278-301) And Index. Includes Filmography. CONTENTS ILLUSTRATIONS ACKNOWLEDGEMENTS ABBREVIATIONS INTRODUCTION PART I THE BEGINNING OF COLONIAL FILM CULTURE IN IMPERIAL GERMANY Chapter 1 FROM THE VARIETY THEATRE TO THE GERMAN COLONIAL SOCIETY Chapter 2 CARL MÜLLER A Colonial Filmmaker Chapter 3 THE DKG’S FILM SHOWS The Colonies in Motion PART II ADDRESSING THE MASSES Chapter 4 THE ‘HOTTENTOT ELECTION’ OF 1907 Chapter 5 THE DKG’S KINEMATOGRAPHENKAMPAGNE Chapter 6 RISE AND FALL OF THE KINEMATOGRAPHENKAMPAGNE PART III ETHNOGRAPHIC FILMMAKING IN THE COLONIES Chapter 7 KARL WEULE IN GERMAN EAST AFRICA Chapter 8 THE EXPEDITION IN CONTEXT Modern German Ethnography Chapter 9 FILMING IN THE COLONIES Training and Improvisation PART IV TOURISM, ENTERTAINMENT AND COLONIAL IDEOLOGY Chapter 10 COLONIAL FILMS IN PUBLIC CINEMA Chapter 11 THE COLONIAL TRAVELOGUE Chapter 12 COLONIAL FILMS IN TRANSITION Robert Schumann’s Comeback PART V COLONIAL FILM PROPAGANDA DURING THE FIRST WORLD WAR Chapter 13 SETTING UP COLONIAL WAR PROPAGANDA Chapter 14 THE DEUTSCHE KOLONIAL-FILMGESELLSCHAFT (DEUKO) CONCLUSION Beyond the Colonial Era FILMOGRAPHY BIBLIOGRAPHY INDEX "The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era."-- Provided by publisher Liminality has the potential to be a leading paradigm for understanding transformation in a globalizing world. As a fundamental human experience, liminality transmits cultural practices, codes, rituals, and meanings in situations that fall between defined structures and have uncertain outcomes. Based on case studies of some of the most important crises in history, society, and politics, this volume explores the methodological range and applicability of the concept to a variety of concrete social and political problems.