Hybrid Renaissance: Culture, Language, Architecture (The Natalie Zemon Davis Annual Lectures Series)

"Hybrid Renaissance presents the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe as an example of cultural hybridization. The two key concepts used in this book are 'hybridization' and 'Renaissance.' Roughly speaking, hybridityrefers to something new that emerges from the combination of diverse older elements. The term 'hybridization' is preferable to 'hybridity' because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of more or less rather than of presence versus absence. The book begins with a discussion of the concept of cultural hybridity and a cluster of other concepts related to it. Then comes a geography of hybridity, focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. There follow six chapters about the hybrid Renaissance in different fields: architecture, painting and sculpture, languages, literatures, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized"--Provided by publisher. Hybrid Renaissance' introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization.0The two key concepts used in this book are “hybridization” and “Renaissance”. Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term “hybridization” is preferable to “hybridity” because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of degree: where there is more or less, rather than presence versus absence.0The book begins with a discussion of the concept of cultural hybridization and a cluster of other concepts related to it. Then comes a geography of cultural hybridization focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. The following seven chapters describe the hybridity of the Renaissance in different fields: architecture, painting and sculpture, languages, literature, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization. The two key concepts used in this book are "hybridization" and "Renaissance". Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term "hybridization" is preferable to "hybridity" because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of where there is more or less, rather than presence versus absence.) The book begins with a discussion of the concept of cultural hybridization and a cluster of other concepts related to it. Then comes a geography of cultural hybridization focusing on three courts, major cities (whether ports or capitals) and frontiers. The following seven chapters describe the hybridity of the Renaissance in different architecture, painting and sculpture, languages, literature, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized. "Hybrid Renaissance presents the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe as an example of cultural hybridization. The two key concepts used in this book are 'hybridization' and 'Renaissance.' Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. The term 'hybridization' is preferable to 'hybridity' because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of more or less rather than of presence versus absence. The book begins with a discussion of the concept of cultural hybridity and a cluster of other concepts related to it. Then comes a geography of hybridity, focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. There follow six chapters about the hybrid Renaissance in different fields: architecture, painting and sculpture, languages, literatures, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized"--Provided by publisher List of Illustrations Preface and Acknowledgements Introduction: An Expanding Renaissance Chapter 1. The Idea of Hybridity Chapter 2. The Geography of Hybridity Chapter 3. Translating Architecture Chapter 4. Hybrid Arts Chapter 5. Hybrid Languages Chapter 6. Hybrid Literatures Chapter 7. Music, Law and humanism Chapter 8. Hybrid Philosophies Chapter 9. Translating Gods Coda: Counter-Hybridization Notes Bibliography Index