How to read novels like a professor : [a jaunty exploration of the world's favorite literary form

Of all the literary forms, the novel is arguably the most discussed . . . and fretted over. From Miguel de Cervantes's __Don Quixote__ to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history. Thomas C. Foster—the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, __How to Read Literature Like a Professor__—now examines the grammar of the popular novel. Exploring how authors' choices about structure—point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity—create meaning and a special literary language, __How to Read Novels Like a Professor__ shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading.

of All The Literary Forms, The Novel Is Arguably The Most Discussed . . . And Fretted Over. From Miguel De Cervantes's don Quixote To The Works Of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, And Today's Masters, The Novel Has Grown With And Adapted To Changing Societies And Technologies, Mixing Tradition And Innovation In Every Age Throughout History.

thomas C. Foster—the Sage And Scholar Who Ingeniously Led Readers Through The Fascinating Symbolic Codes Of Great Literature In His First Book, how To Read Literature Like A Professor—now Examines The Grammar Of The Popular Novel. Exploring How Authors' Choices About Structure—point Of View, Narrative Voice, First Page, Chapter Construction, Character Emblems, And Narrative (dis)continuity—create Meaning And A Special Literary Language, how To Read Novels Like A Professor Shares The Keys To This Language With Readers Who Want To Get More Insight, More Understanding, And More Pleasure From Their Reading.

publishers Weekly

covering A Range Of Novelists From The Classic To The Slightly Idiosyncratic, Foster (how To Read Literature Like A Professor) Expounds On The Various Elements Of Novel Construction And Offers Advice On How To Analyze Them. Foster Maintains A Conversational Tone Throughout, Offering Pithy Interjections Among His Literary Explication (on The Possibility Of Having A Reliable Narrator In Huck Finn: Now Seriously, Where's The Fun In That?). Each Chapter Of The Book Breaks Down A Different Part Of The Novel, From The Significance Of Faulkner's Repeated Use Of The Word Self-abnegation To The Intermingling Of Philosophy And Fiction, Particularly In The Work Of John Fowles, One Of Foster's Favorite Writers. Foster's Enthusiasm For His Subject Is Palpable, But His Audience Will Probably Be Limited To Students, Given The Combination Of Examples Like Joyce, Faulkner And Woolf (english Course Staples) And The Tone Of Foster's Explanations-often Simplistic To A Degree That Would Seem Condescending To More Experienced Readers, As When He Emphasizes That The Narrative Voice In A Novel Is A Device Invented By The Writer And Then Explains The Idea For A Full Paragraph. (july)

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The follow-up and companion volume to the New York Times bestselling How to Read Literature Like a Professor—a lively and entertaining guide to understanding and dissecting novels to make everyday reading more enriching, satisfying, and fun Of all the literary forms, the novel is arguably the most discussed . . . and fretted over. From Miguel de Cervantes’s Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today’s masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history. Thomas C. Foster—the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor—now examines the grammar of the popular novel. Exploring how authors’ choices about structure—point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity—create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading. Novel possibilities, or All Animals Aren't Pigs? Once Upon a Time: A short, Chaotic, and Entirely Idiosyncratic History of the Novel Pickup Lines and Open(ing) Seductions, or Why Novels Have First Pages You Can't Breathe Where the Air Is Clear Who's in Charge Here Never Trust a Narrator with a Speaking Part A Still, Small Voice (or a Great, Galumphing One) Men (and Women) Made out of Words, or My Pip Ain't Like Your Pip When Very bad people Happen to Good Novels Wrinkles in Time, or Chapters Just Might Matter Everywhere Is Just One Place Clarissa's Flowers Met-him=pike-hoses Life Sentences Drowning in the Stream of Consciousness The Light on Daisy's Dock Fiction About Fiction Source Codes and Recycle Bins Read with Your Ears Improbabilities: Foundlings and Magi, Colonels and Boy Wizards What's the Big Idea - or Even the Small One? Who Broke My Novel? Untidy Endings History in the Novel/The Novel in History Conspiracy Theory The Never-Ending Journey Criticism of the Novel Of all the literary forms, the novel is arguably the most discussed . . . and fretted over. From Miguel de Cervantes's Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history. Thomas C. Foster—the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor —now examines the grammar of the popular novel. Exploring how authors' choices about structure—point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity—create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading.

Of all the literary forms, the novel is arguably the most discussed...and fretted over. From Miguel de Cervantes's Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history. Thomas C. Foster — the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor — now examines the grammar of the popular novel. Exploring how authors' choices about structure — point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity — create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their... Of all the literary forms, the novel is arguably the most discussed...and fretted over. From Miguel de Cervantes's Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history.Thomas C. Foster — the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor — now examines the grammar of the popular novel. Exploring how authors' choices about structure — point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity — create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading. Of all the literary forms, the novel is arguably the most discussed ... and fretted over. From Miguel de Cervantes's Don Quixote to the works of Jane Austen, F. Scott Fitzgerald, Ernest Hemingway, and today's masters, the novel has grown with and adapted to changing societies and technologies, mixing tradition and innovation in every age throughout history. Thomas C. Foster? the sage and scholar who ingeniously led readers through the fascinating symbolic codes of great literature in his first book, How to Read Literature Like a Professor? now examines the grammar of the popular novel. Exploring how authors' choices about structure? point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity? create meaning and a special literary language, How to Read Novels Like a Professor shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading Examines the grammar of the popular novel. Exploring how authors' choices about structure -- point of view, narrative voice, first page, chapter construction, character emblems, and narrative (dis)continuity -- create meaning and a special literary language, shares the keys to this language with readers who want to get more insight, more understanding, and more pleasure from their reading. --Publisher's description In his first book, "How to Read Literature Like a Professor," Foster led readers through the symbolic codes of literature. Now he presents this lively and entertaining guide to understanding and dissecting novels to make everyday reading more enriching, satisfying, and fun