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How To Draw Manga: Sketching Manga-Style Volume 3: Unforgettable Characteristics (How to Draw Manga (Graphic-Sha Numbered))

معرفی کتاب «How To Draw Manga: Sketching Manga-Style Volume 3: Unforgettable Characteristics (How to Draw Manga (Graphic-Sha Numbered))» نوشتهٔ 胡安焉 و Hayashi, Hikaru; Matsumoto, Takehiko; Morita, Kazuaki، منتشرشده توسط نشر [Diamond در سال 2007. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Proportion sketching allows the artist to develop head-to-body ratios to differentiate the various characters and distinguish between the two genders. It also allows the artist to draw characters in dynamic or striking poses and design characters that suit a variety of genres and settings. This volume explains to the reader how to use manga sketching to devise head-to-body ratios that make each character distinct. It also covers how to proportion realistic, attractive characters as well as adorable, ultra-stylized chibi characters and teaches how to stylize figures.

Sketching as an art form concerned with the quality and volume of information requires three skills: skill in communication, skill in composition, and skill in visual portrayal. The artist taps into these three skills while carrying out a clear plan. Manga sketching, which goes one step further, involves the skill of making the fantastic seem plausible. It also involves skills in determining the quality of the information to be conveyed and how much of it to convey. These last two skills form the focus of this book.

This volume offers a brand-new "sketching to plan" tin can crammed full of sketching fundamentals for you to use when creating your own manga, as well as suggestions and ideas to help your artwork improve. This book is a brilliantly condensed can of artwork, jam-packed with a wide range of styles, ranging from renditions that are realistic without being slavishly naturalisitc to stylized "abstracted" and "exxagerated" renditions.

Content: v. 1. Sketching to plan -- v. 2. Logical proportions -- v. 3. Unforgettable characters.
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