How do we look?: the body, the divine, and the question of civilization

Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed__Civilisations__shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark. From Prehistoric Mexico To Modern Istanbul, Mary Beard Looks Beyond The Familiar Canon Of Western Imagery To Explore The History Of Art, Religion, And Humanity. Conceived As A Gorgeously Illustrated Accompaniment To How Do We Look And The Eye Of Faith, The Famed Civilisations Shows On Pbs, Renowned Classicist Mary Beard Has Created This Elegant Volume On How We Have Looked At Art-- Introduction : A History Of Looking -- Prologue : Heads And Bodies -- A Singing Statue -- Greek Bodies -- The Look Of Loss : From Greece To Rome -- The Emperor Of China And The Power Of Images -- Supersizing A Pharaoh -- The Greek Revolution -- The Stain On The Thigh -- The Revolution's Legacy -- The Olmec Wrestler -- Prologue : Sunrise At Angkor Wat -- Who's Looking? 'cave Art' At Ajanta -- Who Or What Was Jesus? -- Questions Of Vanity -- A Living Statue? -- The Artfulness Of Islam -- Bible Stories -- The Scars Of Battle -- Hindu Images, Islamic Idioms -- Faith In Civilisation -- Afterword : Looking At Civilisation. Mary Beard. First Published In Great Britain Under The Title Civilisations: How Do We Look/the Eye Of Faith. Companion To The British Television Series Civilisations. Includes Bibliographical References (page 211-226) And Index. "From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to "How Do We Look" and "The Eye of Faith," the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made--whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers-- to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark"-- Provided by publisher From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to How Do We Look and The Eye of Faith, the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever madewhether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark. 92 illustrations Introduction: A history of looking Part 1: The body in question Prologue: Heads and bodies A singing statue Greek bodies The look of loss: from Greece to Rome The Emperor of China and the power of images Supersizing a pharaoh The Greek revolution The stain on the thigh The revolution's legacy The Olmec wrestler Part 2: The eye of faith Prologue: Sunrise at Angkor Wat Who's looking? "Cave art" at Ajanta Who or what was Jesus? Questions of vanity A living statue? The artfulness of Islam Bible stories The scars of battle Hindu images, Islamic idioms Faith in civilisation Afterword: Looking at civilisation.