Houser: the life and work of Catherine Bauer, 1905-1964

Catherine Bauer (1905–64) changed forever the concept of public housing in the United States―and inspired a generation of urban activists to include housing in welfare planning in the mid-20th century. She was one of a small group of idealists who called themselves Houser s because of their commitment to raising the quality of urban life through improving shelter for low-income families. In the late 1920s, Bauer spent time in Paris, where she befriended Ferdinand Leger, Man Ray, and Sylvia Beach, publisher of Ulysses. Back in New York she fell under the spell of urban critic Lewis Mumford. It was at his urging that she became involved with the architects of change in post-World War I Europe, among them Ernst May, Andre Lurcat, and Walter Gropius. Convinced by their example that good social housing could produce good social architecture and moved by the visible ravages of the depression, she became a passionate leader in the fight for housing for the poor. Soon established through her critical writings as a housing expert, she lodged the issue of public housing firmly within the New Deal’s agenda and was instrumental in the creation of the first public housing act in 1937. Her book Modern Housing, published in 1934, vividly depicts the essential interdependence of social, economic, and architectural policies in modern life; it is still required college reading. She taught for many years at the University of California Berkeley, as well as Harvard University. Catherine Bauer (1905–64) changed forever the concept of public housing in the United States―and inspired a generation of urban activists to include housing in welfare planning in the mid-20th century. She was one of a small group of idealists who called themselves __Houser__s because of their commitment to raising the quality of urban life through improving shelter for low-income families.In the late 1920s, Bauer spent time in Paris, where she befriended Ferdinand Leger, Man Ray, and Sylvia Beach, publisher of Ulysses. Back in New York she fell under the spell of urban critic Lewis Mumford. It was at his urging that she became involved with the architects of change in post-World War I Europe, among them Ernst May, Andre Lurcat, and Walter Gropius. Convinced by their example that good social housing could produce good social architecture and moved by the visible ravages of the depression, she became a passionate leader in the fight for housing forthe poor.Soon established through her critical writings as a housing expert, she lodged the issue of public housing firmly within the New Deal’s agenda and was instrumental in the creation of the first public housing act in 1937. Her book Modern Housing, published in 1934, vividly depicts the essential interdependence of social, economic, and architectural policies in modern life; it is still required college reading. She taught for many years at the University of California Berkeley, as well as Harvard University. "Catharine Bauer was a leading member of a small group of idealists who called themselves housers because of their commitment to improving housing for low-income families. In her lifetime she changed dramatically the concept of social housing in the United States and inspired a generation of urban activists to integrate public housing into the emerging welfare state of the mid-twentieth century. In the first book-length biography of Bauer, H. Peter Oberlander and Eva Newbrun trace her fascinating life and career. Their account is lively, spanning two continents, and dotted with famous names in modern art and architecture."--BOOK JACKET. Catherine Bauer changed forever the concept of social housing and inspired a generation of urban activists to integrate public housing into the emerging welfare state of the mid-20th century. She was one of a small group of idealists who called themselves “Housers” because of their commitment to raising the quality of urban life through improving shelter for low-income families. H. Peter Oberlander And Eva Newbrun ; With A Foreword By Martin Meyerson. Includes Bibliographical References (p. [321]-334) And Index.