Hollywood from Vietnam to Reagan . . . and Beyond: A Revised and Expanded Edition of the Classic Text

Cover; Half title; Title; Copyright; Dedication; Contents; Acknowledgments; Epigraph; Prologue (2003); 1. Cards on the Table; 2. The Chase: Flashback, 1965; 3. Smart-Ass and Cutie-Pie: Notes Toward the Evaluation of Altman (1975); 4. The Incoherent Text: Narrative in the 70s; 5. The American Nightmare: Horror in the 70s; 6. Normality and Monsters: The Films of Larry Cohen and George Romero; 7. Brian De Palma: The Politics of Castration; 8. Papering the Cracks: Fantasy and Ideology in the Reagan Era; 9. Horror in the 80s; 10. Images and Women; 11. From Buddies to Lovers.;This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern ""screwball"" comedies like My Best Friend's. This new edition includes all the chapters of the original work, supplemented with analysis of comedy films of the 1990s, a chapter on contemporary filmmakers, including David Fincher & Jim Jarmusch, & an essay on 'Day of the Dead'. This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern "screwball" comedies like My Best Friend's Wedding, and an analysis of '90s American and Canadian teen movies in the vein of American Pie, Can't Hardly Wait, and Rollercoaster. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern "screwball" comedies like My Best Friend's Wedding , and an analysis of '90s American and Canadian teen movies in the vein of American Pie , Can't Hardly Wait , and Rollercoaster . Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead . Cover Half title Title Copyright Dedication Contents Acknowledgments Epigraph Prologue (2003) 1. Cards on the Table 2. The Chase: Flashback, 1965 3. Smart-Ass and Cutie-Pie: Notes Toward the Evaluation of Altman (1975) 4. The Incoherent Text: Narrative in the 70s 5. The American Nightmare: Horror in the 70s 6. Normality and Monsters: The Films of Larry Cohen and George Romero 7. Brian De Palma: The Politics of Castration 8. Papering the Cracks: Fantasy and Ideology in the Reagan Era 9. Horror in the 80s 10. Images and Women 11. From Buddies to Lovers. 12. Two Films by Martin Scorsese13. Two Films by Michael Cimino 14. Day of the Dead: The Woman's Nightmare 15. On and Around My Best Friend's Wedding 16. Teens, Parties, and Rollercoasters: A Genre of the 90s 17. Hollywood Today: Is an Oppositional Cinema Possible? Bibliography Index.

This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era. For the new edition, Wood has included a considerable new preface, a chapter celebrating My Best Friend's Wedding, a section on 90s American teen comedies such as American Pie and Can't Hardly Wait, a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others), and a helpful essay on Day of the Dead.

Robin Wood is a founding editor of CineAction and author of Hitchcock’s Films Revisited (Revised Edition, Columbia, 2002) and Sexual Politics and Narrative Film (Columbia, 1998). He is professor emeritus at York University and the recipient of a Lifetime Achievement Award from the Society for Cinema Studies. PER004000,Performing Arts/Film and Video/General,PER004030,Performing Arts/Film & Video/History & Criticism