History As Theatrical Metaphor : History, Myth and National Identities in Modern Scottish Drama

"Focusing on the theatrical use of historical figures, narratives and myths, History as Theatrical Metaphor considers the malleability of history and how this relates to different times, changing perceptions of the nation and shifting political agendas in Scotland. The major strength of this important and lively new book is Ian Brown's encyclopaedic knowledge of the rich and diverse theatrical culture of Scotland, combined with his understanding of wider European traditions and his experience as a playwright. This combination enables him to trace genealogies, offer comparative commentary and it facilitates a deep understanding of the ideological consequences of themes, myths, language, dramaturgy and theatrical strategies. Focusing on leading Scottish playwrights including David Greig, Liz Lochhead, John McGrath, Robert McLellan and Rona Munro, Brown explores how they have created plays that draw attention to competing versions of history, marginalised histories and the potential to revision history as a way of engaging in debates around such themes as power, independence, gender and the past and future of the Scottish nation."--Nadine Holdsworth, Professor of Theatre and Performance, Warwick University, UK "Ian Brown has written an excellent book about the infinite adaptability of history. He opened my eyes to a world of pre-20th century Scottish drama of which I was only dimly aware. He also writes about more familiar figures, from Barrie and Bridie to Lochhead and Munro with a scholarly brio that demonstrates their ability to find a metaphor for the present in the past. I learned a massive amount from Ian Brown's informed intelligence."--Michael Billington, the Guardian theatre critic This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers' achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of 'history' and 'myth' and relating these afresh to how dramatists use - and subvert - them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity This Revelatory Study Explores How Scottish History Plays, Especially Since The 1930s, Raise Issues Of Ideology, National Identity, Historiography, Mythology, Gender And Especially Scottish Language. Covering Topics Up To The End Of World War Two, The Book Addresses The Work Of Many Key Figures From The Last Century Of Scottish Theatre, Including Robert Mclella And His Contemporaries, And Also Hector Macmillan, Stewart Conn, John Mcgrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro And Others Often Neglected Or Misunderstood.--page [4] Of Cover. Playwrights And History -- History, Mythology And 're-presentation' Of Events -- Language, Ideology, And Identity -- The Creation Of A 'missing' Tradition: Robert Mclellan And His Contemporaries -- Revealing Hidden Histories: Seven Changing Perspectives -- The Re-visioning Of History: Sue Glover And Liz Lochhead -- Alternative Visions -- Re-constructing The Deconstructed: David Greig And Rona Munro -- Conclusion: History As Theatrical Metaphor. Ian Brown. Includes Bibliographical References (pages 227-237) And Index. The worldwide success of Gregory Burke's Black Watch (2006) is, of course, not typical of the reception of every new Scottish play. Nonetheless, its reception is a mark of the esteem in which Scottish drama has developed over the last 80 years. This timely new book addresses the ways in which history has been represented on the Scottish stage since the mid-twentieth century. Examining versions of 'Scotland' and Scottishness in the work of leading playwrights from the 1930s on, the book asks us what these versions tell us about the nature of historical myth-making, approaches to Scottishness and national identities in general and the role of Scottish theatre in times of political change, not least as we approach the independence referendum in September 2014. Front Matter....Pages i-xvi Playwrights and History....Pages 1-29 History, Mythology, and ‘Re-Presentation’ of Events....Pages 31-55 Language, Ideology, and Identity....Pages 57-73 The Creation of a ‘Missing’ Tradition: Robert McLellan and His Contemporaries....Pages 75-118 Revealing Hidden Histories: Seven Changing Perspectives....Pages 119-147 The Re-Visioning of History: Sue Glover and Liz Lochhead....Pages 149-165 Alternative Visions....Pages 167-187 Re-Constructing the Deconstructed: David Greig and Rona Munro....Pages 189-213 Conclusion: History as Theatrical Metaphor....Pages 215-225 Back Matter....Pages 227-247