Historical Dictionary of Music of the Classical Period (Historical Dictionaries of Literature and the Arts)

If there is one period in music history that lies in the background of our modern concept of classical music and yet is difficult to grasp in its entirety, it is the Classical Period. There can be no doubt that this was perhaps one of the most fruitful compositional periods in history, and in comparison with other times, it would seem that there was a market for music of all sorts in virtually every place. The Historical Dictionary of Music of the Classical Period covers the music of the Classical Period (1728-1800) with both forerunners and successors briefly described. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on composers, genres, styles, significant patrons or musicians, musical instruments, and terms demonstrating the global reach of the music of this era. This book is an excellent access point for students, researchers, and anyone wanting to know more about classical music. When we speak of “classical music” it often refers rather loosely to serious “art” music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today's repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today.This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers. When we speak of classical music it often refers rather loosely to serious art music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of todays repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers. Covers the music of the classical period from about 1730 to 1800. Includes not only the composers, but also eminent conductors and performers, patrons, and publishers. Offers dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera