Hideous Progenies : Dramatizations of 'Frankenstein' From the Nineteenth Century to the Present

In __Hideous Progenies__, Steven Earl Forry offers a historical overview of the transformation over time of the Frankenstein legend—beginning with Shelley's original and the earliest popular dramatizations of it and continuing on through the advent of cinema. In __Hideous Progenies__, Steven Earl Forry offers a historical overview of the transformation over time of the Frankenstein legend—beginning with Shelley's original and the earliest popular dramatizations of it and continuing on through the advent of cinema.

The Frankenstein we know is not Mary Shelley's creature at all. Rather it is an amalgam of over 200 years of images and dramatizations that range from the ghoulish fiends of nineteenth-century sensation dramas to Boris Karloff's movie monster to Mel Brooks's tap-dancing giant. These versions treat the Frankenstein myth with varying levels of horror, hysteria, and humor, but all of them attest to its enduring power.

In Hideous Progenies, Steven Earl Forry offers a historical overview of the legend's transformation over time—beginning with Shelley's original and the earliest popular dramatizations of it (which transformed the myth, adding a burlesque quality and simplifying its moral allegory) and continuing on through the advent of cinema. He also documents this development with actual texts of seven pre-1931 dramatizations, a sampling of cartoons and playbills, and a shooting script for the first cinematic version, Thomas Edison's Frankenstein (1910). Forry's rare materials and interesting survey offer a valuable resource for scholars and students of theater history, literary history, and popular culture.

The Frankenstein we know is not Mary Shelley's creature at all. Rather it is an amalgam of over 200 years of images and dramatizations that range from the ghoulish fiends of nineteenth-century sensation dramas to Boris Karloff's movie monster to Mel Brooks's tap-dancing giant. These versions treat the Frankenstein myth with varying levels of horror, hysteria, and humor, but all of them attest to its enduring power. In Hideous Progenies , Steven Earl Forry offers a historical overview of the legend's transformation over time—beginning with Shelley's original and the earliest popular dramatizations of it (which transformed the myth, adding a burlesque quality and simplifying its moral allegory) and continuing on through the advent of cinema. He also documents this development with actual texts of seven pre-1931 dramatizations, a sampling of cartoons and playbills, and a shooting script for the first cinematic version, Thomas Edison's Frankenstein (1910). Forry's rare materials and interesting survey offer a valuable resource for scholars and students of theater history, literary history, and popular culture. Contents Illustrations Preface Acknowledgments I. Historical Introduction 1. Melodrama and Burlesque: 1823–1832 2. Frankenstein Amid the Populace: Victorian Renderings of Shelley's Novel, 1832-1900 3. Reviving Frankenstein in the Twentieth Century: Drama and Cinema, 1900–1930 4. Afterword and List of Plays, 1821-1986 II. The Plays Textual Note Presumption; or, The Fate of Frankenstein (1823) Another Piece of Presumption (1823) Frank-in-Steam; or, The Modern Promise to Pay (1824) Henry M. Milner Frankenstein; or, The Man and the Monster (1826) The Monster and Magician; or, The Fate of Frankenstein (1826) Frankenstein; or, The Model Man (1849) Frankenstein (1930) Appendix: Music from Vampire’s Victim (1887) Frankenstein; or, The Vampire’s Victim (1887) Bibliography Index In Hideous Progenies, Steven Earl Forry offers a historical overview of the legend of Frankenstein's transformation over time--beginning with Shelley's original and the earliest popular dramatizations of it and continuing on through the advent of cinema.