Hide in plain sight : the Hollywood blacklistees in film and television, 1950-2002

Hidden in Plain Sight completes Buhle and Wagner's trilogy on the Hollywood blacklist. When the blacklistees were hounded out of Hollywood, some left for television where many worked on children's shows like "Rocky and Bullwinkle." A number wrote adult sitcoms such as The Donna Reed Show , and M*A*S*H while some of them ultimately returned to Hollywood and made great films such as Norma Rae , and Midnight Cowboy . This is a thoughtful look at the aftermath of the horror that was the McCarthy period from two expert historians of the blacklist period. Hidden in Plain Sight is Paul Buhle and David Wagner's last book in a trilogy that explores the Hollywood Blacklist and its aftermath. In this book, Buhle and Wagner take up the question of where the blacklistees went after they were hounded out of Hollywood. Some left Hollywood for careers in television with many of them working in children's and family programming such as The Rocky and Bullwinkle Show (remember Boris and Natasha?), Daktari, Lassie and Flipper. Many wrote adult sitcoms such as Hogans Heroes, The Donna Reed Show, The Dick Van Dyke Show, M*A*S*H and Maude and All in the Family while others worked on socially-themed series such as Justice, Naked City, The Defender and East Side/West Side. Ultimately, many returned to Hollywood in the Sixties to work creatively on films that contained a dose of radical politics and influenced the development of films in that decade including Riffi, The Go-Between, Norma Rae, The Front, Bridge on the River Kwai, Lawrence of Arabia, Planet of the Apes, Midnight Cowboy, and Coming Home. Though they were banished from Hollywood, clearly these men and women never stopped writing and directing "Hide in Plain Sight is Paul Buhle and Dave Wagner's last book in a trilogy that explores the era of the Hollywood blacklist and its aftermath. Here, Buhle and Wagner take up the question of where the blacklistees went after they were driven out of Hollywood. Intriguingly, a good number left Hollywood for careers in television, with many of them working in children's and family programming such as The Bullwinkle Show, Daktari, Lassie and Flipper. Many wrote adult sitcoms such as Hogan's Heroes, The Donna Reed Show, The Dick Van Dyke Show, M*A*S*H, Maude and All in the Family, while others worked on dramatic series with socially progressive themes such as Justice, Naked City, The Defenders and East Side/West Side. Ultimately, many returned to Hollywood in the sixties and seventies to work creatively on films that contained a dose of radical politics and influenced the development of film in those decades."--BOOK JACKET