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Hilary Mantel’s truly great novel peels back history to explore the rich intersection of individual psychology and wider politics in Tudor England.England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell. Son of a brutal blacksmith, Cromwell is a political genius, a briber, a bully and a charmer. He has broken all the rules of a rigid society in his rise to power and is prepared to break some more."[Mantel] has reversed the appeal of these towering rivals of the Tudor period, that fecund breeding ground of British historical fiction as the American Civil War is of ours ... Cromwell is the picaresque hero of the novel — tolerant, passionate, intellectually inquisitive, humane. We follow his winding quest in vivid present-tense flashbacks, drawn up from his own prodigious memory ... Although Mantel adopts none of the archaic fustian of so many historical novels — the capital letters, the antique turns of phrase — her book feels firmly fixed in the 16th century ... Thomas Cromwell remains a controversial and mysterious figure. Mantel has filled in the blanks plausibly, brilliantly. Wolf Hall has epic scale but lyric texture. Its 500-plus pages turn quickly, winged and falconlike." - Christopher Benley, The New York Times Sunday Book ReviewHilary Mantel has won the Booker Prize twice - with Wolf Hall (2009), and Bring Up the Bodies (2012) - becoming only the third novelist – after J.M. Coetzee and Peter Carey – to scoop it twice. In a varied writing career, Mantel, who was made a dame in 2014, has detailed her serious health issues with endometriosis, ghosts (she once lived in a former mental asylum in Surrey), and the French Revolution, as well as Thomas Cromwell. "Lock Cromwell in a deep dungeon in the morning, ' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.' England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage."--Jacket Winner of the Man Booker Prize Shortlisted for the the Orange Prize Shortlisted for the Costa Novel Award 'Dizzyingly, dazzlingly good' Daily Mail 'Our most brilliant English writer' Guardian England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage. Wolf Hall (2009) is a historical novel by English author Hilary Mantel, published by Fourth Estate, named after the Seymour family's seat of Wolfhall, or Wulfhall, in Wiltshire. Set in the period from 1500 to 1535, Wolf Hall is a sympathetic fictionalised biography documenting the rapid rise to power of Thomas Cromwell in the court of Henry VIII through to the death of Sir Thomas More. The novel won both the Man Booker Prize and the National Book Critics Circle Award. In 2012, The Observer named it as one of "The 10 best historical novels". The book is the first in a trilogy; the sequel [Bring Up the Bodies](https://openlibrary.org/works/OL16547664W) was published in 2012. The last book in the trilogy is [The Mirror and the Light](https://openlibrary.org/works/OL20665410W) (2020), which covers the last four years of Cromwell's life. The greatest literary sensation of recent times – and now the inspiration for a major BBC series, starring Mark Rylance and Damian Lewis and directed by Peter Kosminsky. In this staggeringly brilliant novel, Hilary Mantel brings the opulent, brutal world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue and, finally, most powerful of Henry VIII's courtiers. Both winners of the Man Booker Prize and already hugely successful stage plays, WOLF HALL and its sequel BRING UP THE BODIES have now been transformed into a BBC television series starring Mark Rylance and Damian Lewis, bringing history to life for a whole new audience With no male heir, the infamous Henry VIII wants to annul his 20-year marriage to allow himself to marry Anne Boleyn. When Cardinal Wolsey fails to convince the Catholic Church to follow his king's ideas, he falls out of favor. In steps Thomas Cromwell--a blacksmith's son who has seen his share of hardship. When he is able to give the king his heart's desire, he finds himself in a powerful position. But his new role is a dangerous one with the volatile king