Henri Lefebvre’s Urban Critical Theory: Rethinking the City against Capitalism

In the article the author highlights the main ways of the Lefebvrian sociological analysis conceived starting from the transformations of the city in the Fordist era: From the production of urban marginality, through the proliferation of precarious living in the France of the Sixties and Seventies, to recording the gradual disappearance of the urban–rural dichotomy, that goes into an authentic spatial hegemony of urbanization processes. The goal is therefore to highlight the “urban critical theory” of Henri Lefebvre, coming to discuss the famous meaning of “right to the city,” strongly interconnected with the concept of “city as an artwork,” that is the idea of an urban space intended as horizontal and common design by those who live and inhabit in it. Abstract Introduction Unveiling the Urban Reality from the Point of View of Peripheries The New Fordist “Urban Society” The City as an Oeuvre of Art Conclusion Notes Disclosure Statement Notes on Contributor ORCID References