Harold Bloom - The Anxiety of Influence. A Theory of Poetry (2nd. Ed. 1997)
معرفی کتاب «Harold Bloom - The Anxiety of Influence. A Theory of Poetry (2nd. Ed. 1997)» نوشتهٔ Harold Bloom، منتشرشده توسط نشر IRL Press at Oxford University Press در سال 1997. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Harold Bloom's __leader of any critical ''camp,'' his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature____and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics.____Hyperions____The Western Cannon__
Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics.
This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions.
Given the enormous attention generated by Bloom's controversial The Western Cannon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon. Harold Bloom's The Anxiety of Influence has cast its long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between precursors and the individual artist. His argument that all literary texts are a strong misreading of those that precede them had an enormous impact on the practice of criticism and post-structuralist literary theory. The book remains a central work of criticism for all students of literature. Written in a moving personal style, anchored by concrete examples, and memorable quotations, this second edition of Bloom's classic work maintains that the anxiety of influence cannot be evaded - neither by poets nor by responsible readers and critics. A new introduction, centering upon Shakespeare and Marlowe explains the genesis of Bloom's thinking, and the subsequent influence of the book on literary criticism of the past quarter of a century. Cover ......Page 1 Title Page ......Page 2 Table of Contents ......Page 5 Preface: The Anguish of Contamination ......Page 6 II ......Page 10 III ......Page 13 IV ......Page 15 The Anxiety of Influence ......Page 25 Prologue ......Page 26 Introduction: A Meditation upon Priority, and a Synopsis ......Page 27 Synopsis: Six Revisionary Ratios ......Page 32 One ......Page 33 Clinamen or Poetic Misprison ......Page 34 Two......Page 48 Tessera, or Complethion and Antithesis ......Page 49 Three ......Page 62 Kenosis or Repetition and Discontinuity ......Page 63 Interchapter. A Manifesto for Antithetical Criticism ......Page 71 Four ......Page 73 Daemonization or the Counter-Sublime......Page 74 Five ......Page 81 Aske sis or Purgation and Solipsism......Page 82 Six ......Page 93 Apophrades or The Return of the Dead ......Page 94 Epilogue. Reflections upon the Path ......Page 103 A study of the Romantic poets and the relation between tradition and the individual artist. For this second edition Bloom offers a new introduction which explains the genesis of his thinking and the subsequent influence of the book on literary criticism.
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Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics.
This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions.
Given the enormous attention generated by Bloom's controversial The Western Cannon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon. Harold Bloom's The Anxiety of Influence has cast its long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between precursors and the individual artist. His argument that all literary texts are a strong misreading of those that precede them had an enormous impact on the practice of criticism and post-structuralist literary theory. The book remains a central work of criticism for all students of literature. Written in a moving personal style, anchored by concrete examples, and memorable quotations, this second edition of Bloom's classic work maintains that the anxiety of influence cannot be evaded - neither by poets nor by responsible readers and critics. A new introduction, centering upon Shakespeare and Marlowe explains the genesis of Bloom's thinking, and the subsequent influence of the book on literary criticism of the past quarter of a century. Cover ......Page 1 Title Page ......Page 2 Table of Contents ......Page 5 Preface: The Anguish of Contamination ......Page 6 II ......Page 10 III ......Page 13 IV ......Page 15 The Anxiety of Influence ......Page 25 Prologue ......Page 26 Introduction: A Meditation upon Priority, and a Synopsis ......Page 27 Synopsis: Six Revisionary Ratios ......Page 32 One ......Page 33 Clinamen or Poetic Misprison ......Page 34 Two......Page 48 Tessera, or Complethion and Antithesis ......Page 49 Three ......Page 62 Kenosis or Repetition and Discontinuity ......Page 63 Interchapter. A Manifesto for Antithetical Criticism ......Page 71 Four ......Page 73 Daemonization or the Counter-Sublime......Page 74 Five ......Page 81 Aske sis or Purgation and Solipsism......Page 82 Six ......Page 93 Apophrades or The Return of the Dead ......Page 94 Epilogue. Reflections upon the Path ......Page 103 A study of the Romantic poets and the relation between tradition and the individual artist. For this second edition Bloom offers a new introduction which explains the genesis of his thinking and the subsequent influence of the book on literary criticism.