Harbingers of Twentieth-Century Neo-classicism

This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod, and the Danish Niels W. Gade - to discuss his thesis that the main classical-romantic current of the 19th century in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of works by these three composers, Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Hansen labels these harbingers' style as retro-classicism. Finn Egeland Hansen's doctoral dissertation was on The Grammar of Gregorian Tonality (1979), and his most recent book is Layers of Musical Meaning (2006). Since 1990 he has been Chairman of the Foundation for the Publication of the Works of Niels W. Gade. This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main current in classical music in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of the works by these three composers, Finn Egeland Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Finn Egeland Hansen labels these harbingers' style as retro-classicism Forside Titelside kolofon Contents 1. Preliminaries 1.1 Classicism versus romanticism 1.2 Implied structure of textbooks on 19th-century music history 1.3 The Thesis 1.3.1 Comments on Ferchault’s article 1.4 Saint-Saëns’ Aesthetical Preferences 2. Charles Gounod (1818-93) 2.1 The Symphonies 2.2 Gounod’s Masses 2.3 Other Vocal Works 3. Camille Saint-Saëns (1835-1921) 3.1 The Symphonic Works 3.2 Piano Music 3.3 The Chamber Music 4. Niels W. Gade (1817-1890) 4.1 String Quartets Nos. 1 and 2 4.2 Cantata Zion, op. 49 5. Neo-classicism 6. Parenthesis on the Danish composer Paul von Klenau (1883-1946) 7. Conclusion List of quoted literature List of music editions