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Haptic and Audio Interaction Design: First International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings (Lecture Notes in Computer Science)

معرفی کتاب «Haptic and Audio Interaction Design: First International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings (Lecture Notes in Computer Science)» نوشتهٔ Kent Walker, William L. Martens (auth.), David McGookin, Stephen Brewster (eds.)، منتشرشده توسط نشر Springer-Verlag Berlin Heidelberg. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است. «Haptic and Audio Interaction Design: First International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings (Lecture Notes in Computer Science)» در دستهٔ بدون دسته‌بندی قرار دارد.

Overview The International Workshop on Haptic and Audio Interaction Design was - ganized as part of the EPSRC-funded MultiVis project. The main focus of the workshop was to investigate how the modalities of sound and haptics (touch) could be used together in interaction, and what novel interfaces could be p- vided when they are used in conjunction. What are the relative advantages of each of the modalities when used alone and together? Are there reasons why haptic-based information is moreuseful in certain situations than equivalent - dio information? How can di?erent modalities be used together to create c- pelling and useful interaction with computer-based systems? We posed these questions to researchers around the world, asking them to submit novel work which sought to discover answers. Thirty papers were submitted of which 15 were accepted. Each paper was peer reviewed at least twice using an esteemed set of leading international ?gures from both academia and industry, to whom we are grateful for the quality of their reviews, time, patience and responding within our tight schedule. Thepaperspresentedattheworkshopcomefromawidevarietyofdisciplines ranging from psychology to art, showcasing how haptics and sound can improve user interaction with computers; challenging us to move beyond simple mouse and keyboard metaphors to produce interfaces for devices and applications that allow for the full range of human interactivity. Below the papers are categorized and summarized based on their application and focus. Front Matter....Pages - Perception of Audio-Generated and Custom Motion Programs in Multimedia Display of Action-Oriented DVD Films....Pages 1-11 Evaluating the Influence of Multimodal Feedback on Egocentric Selection Metaphors in Virtual Environments....Pages 12-23 Haptic-Auditory Rendering and Perception of Contact Stiffness....Pages 24-35 Designing Haptic Feedback for Touch Display: Experimental Study of Perceived Intensity and Integration of Haptic and Audio....Pages 36-44 Rhythmic Interaction for Song Filtering on a Mobile Device....Pages 45-55 Lemma 4: Haptic Input + Auditory Display = Musical Instrument?....Pages 56-67 Navigation and Control in Haptic Applications Shared by Blind and Sighted Users....Pages 68-80 User Evaluations of a Virtual Haptic-Audio Line Drawing Prototype....Pages 81-91 Creating Accessible Bitmapped Graphs for the Internet....Pages 92-101 Supporting Cross-Modal Collaboration: Adding a Social Dimension to Accessibility....Pages 102-110 Non Visual Haptic Audio Tools for Virtual Environments....Pages 111-120 A Semiotic Approach to the Design of Non-speech Sounds....Pages 121-132 Listen to This – Using Ethnography to Inform the Design of Auditory Interfaces....Pages 133-144 An Activity Classification for Vibrotactile Phenomena....Pages 145-156 Haptic-Audio Narrative: From Physical Simulation to Imaginative Stimulation....Pages 157-165 Back Matter....Pages -

This book constitutes the refereed proceedings of the First International Workshop on Haptic and Audio Interaction Design, HAID 2006 held in Glasgow, UK, in August/September 2006 as part of the MultiVis project, which is investigating non-visual visualisation.

The 15 revised full papers presented were carefully reviewed and selected from a total of 30 submissions. The papers come from a wide variety of disciplines ranging from psychology to art, showcasing how haptics and sound can improve user interaction with computers thus helping people with various kinds of disabilities and visual impairment. More areas addressed are psychophysics, art and leisure where the contribution of audio and haptics enhance perception and experience and also mobile applications that improve selections in virtual environments.

Constitutes the proceedings of the First International Workshop on Haptic and Audio Interaction Design, HAID 2006 held in Glasgow, UK. This book includes 15 full papers that showcase how haptics and sound can improve user interaction with computers thus helping people with various kinds of disabilities and visual impairment
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