Handbook of Research on the Relationship Between Autobiographical Memory and Photography

"Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"-- Provided by publisher Cover Title Page Copyright Page Book Series Editorial Advisory Board List of Contributors Table of Contents Detailed Table of Contents Preface Acknowledgment Section 1: Mobilisations of Memory: Re-Imaginings, Re-Interpretations, and Other Catalysts for Re-Negotiating the Past Chapter 1: Interior Archives Chapter 2: Trauma and Memory in Women's Photographic Practice Chapter 3: Staging Sermon Chapter 4: The Inland Lighthouse Chapter 5: Still Forgetting Section 2: Interplays Sketching a Self: Psychic Configurations, Embodied Instances Chapter 6: Playing Myself/Selves Chapter 7: Photography as Writing of the Self Chapter 8: Memories of the Cruel Radiance Chapter 9: The Intertwining—The Chiasm Chapter 10: The Burden of the Screen Chapter 11: The Body in Photography Section 3: To Have and to Hold: In the Absence of Photograph Chapter 12: Make the Most of Your Memories Chapter 13: Identity Politics Chapter 14: To Have and to Hold Chapter 15: In the Absence of the Photograph Chapter 16: The Implicated Spectator Section 4: Shadowy Archives Chapter 17: Embodying the Family Album Chapter 18: Beyond the Photograph Chapter 19: Me and My Mom's Camera Chapter 20: Understanding, Reactivating, and Reproducing Autobiographical Memory Chapter 21: Milk Is a Thin Fluid Thickly Filled With Opaque White Globules Section 5: Six Entangled Ecologies of Autobiographical Memory and Photography Chapter 22: Photographic Non-Self Chapter 23: Urgent Autobiographies Chapter 24: The Frame and the Fold Chapter 25: Beads in the Necklace of Time Chapter 26: The Impossible Remembering in Walid Raad's Artwork “Secrets in the Open Sea” (1994/2004) Chapter 27: The Memory of Others Compilation of References About the Contributors Index Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th century. These links have often been described from each other's discipline in ways that often have led to misunderstandings about the complex relationships between them. The Handbook of Research on the Relationship Between Autobiographical Memory and Photography covers many aspects of the multiple relationships between autobiographical memory and photography such as the idea that memory and photography can be seen as forms of mental time and the effect photography has on autobiographical memory. Covering key topics such as identity, trauma, and remembrance, this major reference work is ideal for industry professionals, sociologists, psychologists, artists, researchers, scholars, academicians, practitioners, educators, and students. Covers many aspects of the multiple relationships between autobiographical memory and photography such as the idea that memory and photography can be seen as forms of mental time and the effect photography has on autobiographical memory. Key topics covered include identity, trauma, and remembrance.