Handbook of Colorants Chemistry. Volume 2: in Painting, Art and Inks

Volume 2 of the Handbook of Colorant Chemistry focuses on paints, painting and drawing systems used by the painter and craftsman. It describes in detail structure of oil, watercolor, acrylic and ceramic paints, inks, toners, and other drawing systems. From presenting molecular compositions of common paints and inks to a historical look at color chemistry, the author offers an in-depth look at the world of color. The complementary “Volume 1: Dyes and Pigments Fundamentals” (ISBN 978-3-11-077699-7) focuses on paints, painting and drawing systems used by the painter and craftsman. The book is supplemented by a comprehensive bibliography with references to standard works, monographs, and original papers. The reader is provided with a unique overview of the field of color chemistry. Describes in detail structure of oil, watercolor, acrylic and ceramic paints, inks, toners and other drawing systems. Supplemented by a comprehensive bibliography with references to standard works, monographs and original works. Cover Half Title Also of Interest Handbook of Colorants Chemistry. Volume 2: in Painting, Art and Inks Copyright Dedication Foreword Foreword to the English edition Acknowledgment Table of contents for volume 1 Table of contents for volume 2 5. Dyes for writing, painting, and drawing 5.1 Types of bonds in the dye-substrate system 5.2 Paper as a dye carrier 5.2.1 Paper as ink carrier 5.2.2 Paper dyeing 5.2.3 Modification to paper compatible dyes 5.3 Reactive dyes 5.4 Direct or substantive dyes 5.5 Mordant dyes (metal complex dyes) 5.6 Cationic dyes 5.7 Anionic or acid dyes 6. Structure of paint systems 6.1 Binders 6.1.1 History 6.1.2 Binder analytics 6.1.3 Drying of binders 6.1.4 Bonding types in the world of colorants 6.2 Solvents 6.3 Wetting agents and dispersants, grinding paints 6.3.1 Wetting agents 6.3.2 Dispersants 6.3.3 Stabilization of dispersions, dispersants 6.4 Thickener, rheology modifier 6.5 Film-forming aids (coalescing agents) 6.6 Other excipients 6.7 Paper 6.7.1 Structure and composition of raw materials 6.7.2 Pulp from wood 6.7.2.1 Mechanical pulp, wood pulp 6.7.2.2 Chemical pulp 6.7.3 Composition and manufacture of paper 6.7.4 Sizing and coating 6.7.5 Calendering (satinage) 6.7.6 Paper grades, general and industrial 6.7.7 Special case artists’ paper 6.7.8 Paper decay 6.7.9 Aging-resistant paper 6.7.10 Yellowing 7. Paint systems in art 7.1 Ceramics and their painting 7.1.1 Classical ceramic painting 7.1.2 Pigments of the cold-painting technique 7.1.3 Ceramic enamel and glaze colors 7.1.3.1 Glazes 7.1.3.2 Colorants for glazes 7.2 Stained glass 7.2.1 Reverse glass painting 7.2.2 Stained glass windows 7.2.3 Stained glass 7.3 Fresco (mural painting) 7.3.1 Fresco-buono technique 7.3.2 Lime-painting technique 7.3.3 Fresco-secco technique 7.3.4 Mixed techniques 7.3.5 Pigment degradations 7.4 Oil paint 7.4.1 Basic composition of oil paints 7.4.2 Types of oils 7.4.2.1 Drying fatty oils 7.4.2.2 Linseed oil variants 7.4.3 Drying of oils, film formation 7.4.4 Stand oils 7.4.5 Effect of heavy metals, siccatives 7.4.6 Linseed oil varnish 7.4.7 Technical improvement of colorants and painting agents in the nineteenth century, paint tubes 7.4.8 Resins, resin balsam, turpentine oil 7.4.8.1 Turpentine oil 7.4.8.2 Rosin, dammar, mastic 7.4.8.3 Aging, oxidation of resins 7.4.9 Other solvents: benzines, turpentine substitutes 7.4.10 Varnish materials 7.4.11 Pigment degradations 7.4.11.1 Reactions of iron pigments 7.4.11.2 Reactions of cobalt pigments 7.4.11.3 Mercury pigment reactions 7.4.11.4 Reactions of cadmium pigments 7.4.11.5 Reactions of arsenic pigments 7.4.11.6 Reactions of lead pigments – Changes in binder 7.4.11.7 Reactions of red and yellow lake pigments 7.5 Protein systems (poster paint, gouache paint, glue paint, size pa 7.5.1 Albumin as binder (whole egg, egg white) 7.5.2 Collagen as a binder (poster, gouache, glue, size, distemper paint) 7.5.3 Casein as binder 7.6 Tempera 7.6.1 Egg yolk tempera, pure egg tempera 7.6.2 Egg tempera 7.6.3 Fatty egg tempera, egg-oil emulsions 7.7 Watercolors 7.7.1 Basic composition of watercolors 7.7.2 Gum Arabic 7.7.3 Gum tragacanth 7.7.4 Ox gall 7.7.5 Paper 7.8 Alkyd colors 7.9 Acrylic paints 7.9.1 Basic composition 7.9.2 Irreversible film formation 7.9.3 Retarders 7.9.4 Media, thickeners, gels, acrylic butter 7.9.5 Wetting agents and dispersants 7.9.6 Film formation aids 7.9.7 Other additives 7.10 Lithographic printing, lithography 7.10.1 Lithographic crayons and inks 7.10.2 Reprint and materials for reprint 7.10.3 Printing inks for lithography 7.11 Silicate paint 7.12 Low binder systems: chalks and pencils 7.12.1 Blackboard chalk 7.12.2 Pastel crayons 7.12.3 Pencils 7.12.4 Colored pencils 7.12.5 Paper 7.13 Fingerpaint 7.14 Intarsia art 8. Inks 8.1 Carbon inks 8.1.1 Inks in antiquity 8.1.1.1 Egyptian inks 8.1.1.2 Greco-Roman inks 8.1.1.3 Arabic inks 8.1.1.4 Indian inks 8.1.1.5 Chinese ink 8.1.2 Modern carbon inks 8.1.3 Chemistry of carbonization, combustion, and sooting 8.1.3.1 Wood pyrolysis and the origin of charcoal 8.1.3.2 Combustion and precursors of soot, lamp black, and carbon blacks 8.1.3.3 Formation of soot and bister 8.1.3.4 Bister 8.2 Chemistry of phenolic ink constituents 8.2.1 Oxidation and polyphenols 8.2.2 Hydrolyzable tannins 8.2.3 Condensed or nonhydrolyzable tannins, proanthocyanidins 8.2.4 Tannin-like tanning agents 8.3 Inks based on natural materials, book illumination 8.3.1 Colored natural inks, book illumination 8.3.2 Brown inks 8.4 Durable writing inks (iron gall inks) 8.4.1 Chemistry of iron gall inks 8.4.2 Color of iron gall inks 8.4.3 Brown iron inks 8.4.4 Excursion: the iron-phenol reaction 8.5 Dye inks (fountain pen, felt-tip pen, ballpoint pen, inkjet printing) 8.5.1 Function of components 8.5.2 Colorants for fountain pen ink 8.5.3 Colorants for felt-tip, fiber-tip, ballpoint pens 8.5.4 Colorants for inkjet inks 8.5.5 Paper, inkjet support materials 8.5.6 Colorants for stamp pads 8.6 Laser or copier toner 8.7 Printing inks 8.7.1 Inks 8.7.1.1 Artistic printing inks 8.7.1.2 Commercial printing inks 8.7.2 Pigments 8.7.3 Binders 8.7.4 Rosin derivatives as binders 8.7.5 Solvents 8.7.6 Auxiliaries 8.7.7 Paper 8.8 Tusche 8.8.1 Sepia, Natural Brown 9 8.8.2 Shellac Bibliography Index Volume 1 of the Handbook of Colorants Chemistry comprehensively covers the fundamentals of color as well as the underlying scientifi c principles, via the presentation of molecular compositions of inorganic and organic pigments. The author explains the chemical and physical production of color and the infl uence of the physical-geometric pigment parameters on the color shade. This volume also deals with historical and modern pigments, dyes, and binders, as well as their mode of action. The complementary “Volume 2: in Painting, Art and Inks” (ISBN 978-3-11-077700-0) focuses on paints, painting and drawing systems used by the painter and craftsman. The book is supplemented by a comprehensive bibliography with references to standard works, monographs, and original papers. The reader is provided with a unique overview of the fi eld of color chemistry. Volume 2 of the Handbook of Colorant Chemistry focuses on paints, painting and drawing systems used by the painter and craftsman. It describes in detail structure of oil, watercolor, acrylic and ceramic paints, inks, toners, and other drawing systems. From presenting molecular compositions of common paints and inks to a historical look at color chemistry, the author offers an in-depth look at the world of color. The complementary “Volume 1: Dyes and Pigments Fundamentals” (ISBN 978-3-11-077699-7) focuses on paints, painting and drawing systems used by the painter and craftsman. The book is supplemented by a comprehensive bibliography with references to standard works, monographs, and original papers. The reader is provided with a unique overview of the fi eld of color chemistry.