Grotesque

SUMMARY: Life at the prestigious Q High School for Girls in Tokyo exists on a precise social axis: a world of insiders and outsiders, of haves and have-nots. Beautiful Yuriko and her unpopular, unnamed sister exist in different spheres; the hopelessly awkward Kazue Sato floats around among them, trying to fit in.Years later, Yuriko and Kazue are dead both have become prostitutes and both have been brutally murdered. Natsuo Kirino, celebrated author of Out, seamlessly weaves together the stories of these womens struggles within the conventions and restrictions of Japanese society. At once a psychological investigation of the pressures facing Japanese women and a classic work of noir fiction, Grotesque is a brilliantly twisted novel of ambition, desire, beauty, cruelty, and identity by one of our most electrifying writers. It concerns the relationship between three girls, how they grow up, the pressures they are subject to, and how they turn out. They are all three more or less desperate and unpleasant, in different ways. They all three turn in the end to prostitution, two of them being murdered. It is not so much a crime novel, though it is positioned and marketed as that, as a very dark view of the role of women in relation to men and to men's sexual desire. All the men in the book treat the women purely as objects of sexual gratification. The men are seen entirely from outside, they are strange driven creatures, with little or no humanity. The women, from girlhood onwards, are defined by their response to desire and by their power to evoke it. Which fades with the years, of course. The view of men is not simply of Japanese men in Japanese society - the main protagonists in the early part of the book are European, and this account of men as aliens characterises them whether in Europe or in Japan. Japanese society is seen also from the point of view of the women - its oppressive, arbitrary, and places them in a powerless and importunate position. They don't seem to form friendships or relations of affection, they are in continual relations of competition and dislike for each other. The men in the workplace are not simply sexually driven in this incomprehensible way, but are also totally powerful authority figures. One of the girls characterises herself as a nymphomaniac, is possessed by desire too and gratifies with anyone on any occasion. All the characters are unpleasant and unfeeling - there is a sort of universal casual cruelty about all interactions, a complete lack of any human feeling or affection. It is very consistent with the prevailing tone that there are suicides and murders, and that the characters react to these with a complete lack either of shock or feeling. It is as if these are simply the expression of what is going on every day at a less violent level. Its a view of a society in which personal alienation is total. The characters are so far removed from what we would consider normal human feelings for each other that the possibility of such feelings does not even occur to them. It is a world in which one makes ones own way with everyone's hand against one. In the school, which occupies quite a large part of the narrative, there are cliques and rituals of belonging and discrimination. The prestigious clique is seen from the outside as forming a unit with its own rules. There is however no analysis of it. It is entirely done from the point of view of those outside it. It is a striking account, though not very pleasant reading, and after about a third of it, and you realise this is how it is going to be all the way through, it ceases to interest. In the end the author fails in the way that James notes Flaubert's failure. If you are going to tell a story from the point of view of, and through the eyes of, a character, then that character has to have a level of understanding which will illuminate events. They don't have to be sympathetic, but they do have to shed some light. Otherwise it simply turns into a very restricted view of the world through an uninteresting consciousness, and one ends up just wanting it to stop. It is like a long visit with someone whose view of the world, endlessly repeated, is petty and malicious and paranoid. You can probably tell I am not going to finish this, or to try to read anything more by this writer. The subject, the way in which social convention and structure affects personal relations, particular men and women's relations, and the different role of sexual passion in the sexes, is important and interesting. But the author, though capable of seeing the theme and attempting to write about it, in the end proves incapable of even portraying it in the round, let alone illuminating it in any humanly interesting way. Tokyo prostitutes Yuriko and Kazue have been brutally murdered, their deaths leaving a wake of unanswered questions about who they were, who their murderer is, and how their lives came to this end. As their stories unfurl in an ingeniously layered narrative, coolly mediated by Yurikos older sister, we are taken back to their time in a prestigious girls high schoolwhere a strict social hierarchy decided their fates and follow them through the years as they struggle against rigid societal conventions. Shedding light on the most hidden precincts of Japanese society today, Grotesque is both a psychological investigation into the female psyche and a work of noir fiction that confirms Natsuo Kirinos electrifying gifts. A chart of phantom children A cluster of naked seed plants A natural-born whore : Yuriko's diary World without love My crimes : Zhang's written report Fermentation and decay Jizo of desire : Kazue's journals Sounds of the waterfall in the distance : the last chapter. In the wake of the brutal murders of two Tokyo prostitutes, Yuriko and Kazue, Yuriko's older sister describes the three women's education at a prestigious girls' high school, where a strict societal conventions determine the courses of their lives. Clean and sober now that his dealer is in jail, Jack Taylor is stunned when the imprisoned man asks him to investigate the mysterious death of his sister, and becomes caught up in a scheme with deadly consequences for all concerned Natsuo Kirino ; Translated By Rebecca Copeland. Originally Published In Somewhat Different Form In Japan As Gurotesuku By Bungei Shunju In 2003--t.p. Verso.