Greek and Roman actors : aspects of an ancient profession

This collection of twenty essays examines the art, profession and idea of the actor in Greek and Roman antiquity, and has been commissioned and arranged to cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient professionals. It covers a chronological span from the sixth century BC to Byzantium (and even beyond to the way that ancient actors have influenced the arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on particular themes, such as the evidence for women actors or the impact of acting on the presentation of suicide in literature; others offer completely new evidence, such as graffiti relating to actors in Asia Minor; others ask new questions, such as what subjective experience can be reconstructed for the ancient actor. There are numerous illustrations and all Greek and Latin passages are translated. This series of twenty complementary essays by experts in the field explores the art, social status, reputation and image of the ancient actor in the Greek and Roman worlds, from the sixth century B.C. to the Byzantine period. It covers tragedy, comedy, mime and pantomime and offers a full overview of the most important ancient evidence. In some essays new questions are asked, and in others, completely new evidence is offered. Numerous illustrations are included and all Greek and Latin passages are translated. The authors of this collection of 20 essays examine the art, profession and idea of the actor in Greek and Roman antiquity. They cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient actors At the turn of the fifth century AD Augustine confesses to having sometimes neglected the spiritual content of the psalms of David because he has been distracted - even moved to tears - by the beauty of the voices he has heard singing them. Edited By Pat Easterling And Edith Hall. Includes Bibliographical References (p. 441-478) And Indexes.